Ramchandra Pal's ' "Kar Le Kaam Bhaj Le Ram" was released on its scheduled release date, January 1, 1940. With This song being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 10 in the song's album "Punar Milan". In this album, this song's track order is #4. Furthermore, we believe that the track originated from India. Kar Le Kaam Bhaj Le Ram is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Kar Le Kaam Bhaj Le Ram by Ramchandra Pal having a BPM of 66 with a half-time of 33 BPM and a double-time of 132 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chupke Chupke Raat Din Aansoon Bahanayaad Hai | Ghulam Ali | B♭ Minor | 3 | 3A | 132 BPM | ||
| Itna To Hua Aye Dil | Talat Aziz | A Major | 3 | 11B | 74 BPM | ||
| Tumi Sandhyar Meghmala | Chinmoy Chatterjee | E Minor | 1 | 9A | 135 BPM | ||
| Geeta Gyan 20 - Mere Bhakt Ka Nash Na Ho Kabhi Meri Kripa Se Mukti Wo Paye | Ravindra Jain | G Major | 2 | 9B | 98 BPM | ||
| Kasmein Ham Apni Jaan Ki Khaye | Anwar Hussain | E Minor | 9 | 9A | 171 BPM | ||
| Tumi Esechhile Porshu | S. D. Burman | F♯ Minor | 3 | 11A | 141 BPM | ||
| Dil Ki Na Jane Anari Balma | Mubarak Begum | F♯ Minor | 3 | 11A | 119 BPM | ||
| Katodin Dekhini Tomay | Manna Dey | D♭ Minor | 2 | 12A | 92 BPM | ||
| Shiv Jayanti Phir Hai Aai | Brahma Kumari | G Minor | 5 | 6A | 78 BPM | ||
| Tu Mera Chand | Suraiya, Shyam | A♭ Minor | 2 | 1A | 114 BPM | ||
| Bahe Na Kabhi Nain Se Neer | Mukesh, Suraiya, S. D. Burman | F♯ Minor | 1 | 11A | 126 BPM | ||
| Nain Deewane Ik Nahin Mane | Suraiya, S. D. Burman | E♭ Major | 2 | 5B | 67 BPM | ||
| Dhai Din Na Jawani | Jagjit Singh, Chitra Singh | C Major | 6 | 8B | 128 BPM | ||
| Natun Surya Alo Dao | Sandhya Mukherjee | D♭ Minor | 5 | 12A | 125 BPM | ||
| Roodad - E - Mohabbat Kya Kahiye | Asha Bhosle | A Major | 4 | 11B | 79 BPM | ||
| Jibanpurer Pathik Re Bhai | Hemant Kumar | D♭ Major | 3 | 3B | 139 BPM | ||
| Hare Krishna Hare - Recitation | Palash, Shovonsundar Basu, Ramchandra Pal | G Minor | 7 | 6A | 121 BPM | ||
| Maharaja Tomarey Shelam | Anup Ghoshal, Rabi Ghosh | D♭ Major | 2 | 3B | 137 BPM | ||
| Jemon Sreeradha Kande | Shyamal Mitra | D♭ Major | 2 | 3B | 66 BPM | ||
| Ebar Tahole Ami Jai | Mohd. Rafi | G Major | 3 | 9B | 137 BPM | ||
| Man Mein Uthe Uchhale | Snehprabha Pradhan, Hameeda Bano | D♭ Major | 3 | 3B | 73 BPM | ||
| Lumbru Dui Ra | Ishwar Thakur, Sd Kashyap | E♭ Major | 5 | 5B | 123 BPM | ||
| Madhushala - Live | Amitabh Bachchan | C Major | 3 | 8B | 70 BPM | ||
| Ankhiyan Milake - Zohrabai Ambalawali | Zohrabai Ambalawali | C Major | 4 | 8B | 114 BPM | ||
| Aye Dil Mujhe Aisi Jagah Le Chal Jahan Koi Na Ho, From ''Arzoo'' | Talat Mahmood | D Minor | 3 | 7A | 89 BPM |