"スーパーX出動(M25)" by 小六禮次郎 had its release date on 1984. The duration of This song is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. スーパーX出動(M25)'s duration is considered a little bit shorter than the average duration of a typical track. There is only one song in ゴジラ (1984) オリジナル・サウンドトラック, so we believe that "スーパーX出動(M25)" is a single. Based on our statistics, スーパーX出動(M25)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of スーパーX出動(M25) by 小六禮次郎 is Allegro (fast, quick, and bright), since this song has a tempo of 143 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Day Dream ~Summer~ | 小六禮次郎, エマニュエル・パユ | A Minor | 2 | 8A | 80 BPM | ||
| The Bridge to Iacon | Transformers | B Minor | 6 | 10A | 88 BPM | ||
| 軍師官兵衛 メイン・テーマ | Junichi Hirokami, NHK Symphony Orchestra | E♭ Minor | 1 | 2A | 141 BPM | ||
| オデッサの激戦 M-5 | 渡辺岳夫 | F Major | 4 | 7B | 116 BPM | ||
| 危機 | Kenji Kawai | F♯ Minor | 6 | 11A | 155 BPM | ||
| 仮面ライダー・メドレー: レッツゴー!! ライダーキック | Shunsuke Kikuchi, Japan Maritime Self-Defense Force Band,Tokyo, 手塚裕之 | C Minor | 7 | 5A | 137 BPM | ||
| 夕陽に立つウルトラマン | Toru Fuyuki | B♭ Major | 5 | 6B | 123 BPM | ||
| やったぜ! パーティだ!! | 田中公平, 浜口史郎 | A Minor | 3 | 8A | 134 BPM | ||
| 悲運 | 小六禮次郎 | A Minor | 2 | 8A | 80 BPM | ||
| First Attack | Jerry Goldsmith, Ron Jones | G Minor | 2 | 6A | 137 BPM | ||
| GODZILLA's Theme - Singularpoint | 沢田完 | C Major | 5 | 8B | 117 BPM | ||
| BAD DREAM[M-17] | 志熊研三 | A Minor | 2 | 8A | 145 BPM | ||
| Triumph On Your Knees | DePaul Osaze | E♭ Major | 2 | 5B | 100 BPM | ||
| 巨塔のテーマ ― 総回診 | Takashi Kako | A Minor | 4 | 8A | 72 BPM | ||
| Phalanx Suite: Epilog | R.Kuhn, Rüdiger Edgar Kuhn | A♭ Major | 4 | 4B | 123 BPM | ||
| Godzilla-1.0 Honor II | Naoki Sato | F Major | 1 | 7B | 79 BPM | ||
| Gran-Arena | Falcom Sound Team jdk | A Major | 2 | 11B | 162 BPM | ||
| スター・ウォーズ:エピソードVII:フォースの覚醒 レジスタンス・マーチ | Yuko Tanaka, Taizo Takemoto, Japan Philharmonic Orchestra | E♭ Major | 3 | 5B | 105 BPM | ||
| ヤマト飛翔 - 「宇宙戦艦ヤマトIII」使用BGM | 宮川 泰, シンフォニック・オーケストラ・ヤマト | A Minor | 6 | 8A | 170 BPM | ||
| N GUNDAM | Shigeaki Saegusa | C Minor | 5 | 5A | 88 BPM | ||
| 人類が求めたもの | 斉藤恒芳 | G Minor | 5 | 6A | 134 BPM | ||
| 功名が辻 - ドラマティック・ヴァージョン | 小六禮次郎 | D Minor | 3 | 7A | 85 BPM | ||
| Facing Disaster | Transformers | B♭ Major | 9 | 6B | 168 BPM | ||
| 009 Gets The Knife And Gorbinda Attacks | John Barry | E♭ Minor | 4 | 2A | 106 BPM | ||
| MARIO GALAXY | kunai | C Major | 2 | 8B | 85 BPM |