Iron & Wine's ' "Cutting It Close" was released on its scheduled release date, April 26, 2024. Cutting It Close is 2 minutes and 59 seconds long and may contain bad words that may be unsuitable for children. The track order of this song in Iron & Wine's "Light Verse" album is number 4 out of 10. On top of that, United States appears to be the country where this track was created. Cutting It Close is below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Cutting It Close by Iron & Wine to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Big Love | Camera Obscura | B Major | 6 | 1B | 90 BPM | ||
| Daddy | John Grant | D♭ Major | 2 | 3B | 83 BPM | ||
| Mastermind Specialism | English Teacher | C Major | 3 | 8B | 110 BPM | ||
| America, Come | Aoife O'Donovan, Hawktail | A Major | 3 | 11B | 126 BPM | ||
| Here Stands A Woman | Gillian Welch, David Rawlings | G Major | 2 | 9B | 115 BPM | ||
| (Still) the Still of the Night | Josh Ritter, Bill Frisell | C Major | 6 | 8B | 112 BPM | ||
| Passing Afternoon - Live | Iron & Wine | G Major | 6 | 9B | 111 BPM | ||
| Parting | Pedro The Lion | E Major | 5 | 12B | 92 BPM | ||
| Father Mountain | Calexico, Iron & Wine | F♯ Major | 5 | 2B | 154 BPM | ||
| Midas Tongue | Sam Beam, Jesca Hoop | G Minor | 5 | 6A | 138 BPM | ||
| One Human Being | Cloud Cult | G Major | 3 | 9B | 140 BPM | ||
| Over the Pass | Bonny Light Horseman, Eric D. Johnson, Josh Kaufman, Anaïs Mitchell | C Major | 6 | 8B | 146 BPM | ||
| Cry | M. Ward, Folk Bitch Trio | D Major | 1 | 10B | 89 BPM | ||
| Frozen Love | Andrew Bird, Madison Cunningham | A Major | 4 | 11B | 161 BPM | ||
| Only One | Cassandra Jenkins | F♯ Minor | 2 | 11A | 134 BPM | ||
| Aurora, IL | Cassandra Jenkins | G Major | 6 | 9B | 140 BPM | ||
| Further Away | Naima Bock | A♭ Minor | 1 | 1A | 84 BPM | ||
| Catholic Dracula | Wild Pink | G Major | 7 | 9B | 118 BPM | ||
| Ogallala | Hurray For The Riff Raff | G Major | 5 | 9B | 147 BPM | ||
| ANJA I | Fionn Regan | D Major | 3 | 10B | 206 BPM | ||
| As Beautiful As It Hurts | Cloud Cult | C Major | 1 | 8B | 110 BPM | ||
| Big Swimmer | King Hannah, Sharon Van Etten | B Major | 1 | 1B | 96 BPM | ||
| Empires Never Know | Jessica Pratt | A Major | 2 | 11B | 105 BPM | ||
| You’d Be So Nice to Come Home To | Andrew Bird, Alan Hampton, Ted Poor | G Major | 3 | 9B | 124 BPM | ||
| The Right Time | Aoife O'Donovan | B♭ Major | 2 | 6B | 79 BPM |