Patanjal, Rajkumari's 'Koi Bataye Main Kya Karun' had a release date set for December 31, 1947. The duration of This song is about 3 minutes long, at 3:06. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 5 out of 5 in Chalte Chalte by Khemchand Prakash. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Koi Bataye Main Kya Karun is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Koi Bataye Main Kya Karun by Patanjal, Rajkumari is Adagio (slowly with great expression), since this song has a tempo of 67 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ek Bas Tu Hi Nahin Mujhse Kafaa Ho Baitha - Ghazal in Raga Miyan Ki Malhar | Traditional, Mehdi Hassan, Kamran Hasan, Sultan Khan, Ghulam Hassan Shaggan | D♭ Major | 2 | 3B | 120 BPM | ||
| Door Papiha Bole | Suraiya | B♭ Major | 2 | 6B | 84 BPM | ||
| Raga Basant - Piya Sang Kheloon | Rashid Khan | D Major | 3 | 10B | 113 BPM | ||
| Ghire Ghir Aayi Badariyaa | Arati Ankalikar Tikekar | B♭ Minor | 5 | 3A | 130 BPM | ||
| Mere To Giridhar Gopal | M. S. Subbulakshmi | G Major | 4 | 9B | 167 BPM | ||
| Man Ne Sthir Kari Ne | NARAYANSWAMI | F♯ Major | 8 | 2B | 153 BPM | ||
| Nazar Mili Hai Ek Qatil Se | Mohammed Rafi, Asha Bhosle | F Major | 2 | 7B | 119 BPM | ||
| Tasveer Banane Wale | Rafique Gaznavi, Khursheed Bano | F♯ Major | 1 | 2B | 74 BPM | ||
| Kahin Chal Na De | Asha Bhosle, Mohammed Rafi, Majrooh Sultanpuri | F Major | 2 | 7B | 119 BPM | ||
| Jalte Hai Jiske Liye, Teri Aankho Ke Diye, From ''Sujata'' | Talat Mahmood | D♭ Major | 2 | 3B | 64 BPM | ||
| Ha Faqeero | Gulzar Ahmad Ganai | B♭ Major | 7 | 6B | 124 BPM | ||
| Sun Lo Bholenath | Rudraa | D♭ Major | 8 | 3B | 147 BPM | ||
| Ichak Beechak Ghurr | Shamshad Begum | D♭ Major | 6 | 3B | 52 BPM | ||
| Soja Ladle Soja Mere Munne | Lata Mangeshkar, Kalyanji-Anandji | F Major | 2 | 7B | 119 BPM | ||
| Mere Pehlu Men Aake Baitho | Mohammed Rafi, Qamar Jalalabadi | B♭ Major | 5 | 6B | 97 BPM | ||
| Mat Piyo Mere Chhaila Tambakudi | Leela Pawar, Master Amritlal | F♯ Minor | 2 | 11A | 76 BPM | ||
| Doli | Mohammed Aziz | C Major | 9 | 8B | 86 BPM | ||
| Bairan Ratiya Dadra | Prabha Atre | A♭ Minor | 4 | 1A | 107 BPM | ||
| Bundeli Jawabi Rai | Vinay Lodhi, Rajkumari | F♯ Major | 2 | 2B | 75 BPM | ||
| Hari Din To Beeta Sham Huyi | Rajkumari | A Major | 1 | 11B | 78 BPM | ||
| Zini Zini Bini Chadariya -Kabir | Kumar Gandharva, Harmoniam | A Minor | 10 | 8A | 80 BPM | ||
| Hum Dard Ka Afsana | Shamshad Begum | F Minor | 7 | 4A | 112 BPM | ||
| Gopi Chand Hoya | Master Satbeer Singh | A♭ Major | 7 | 4B | 133 BPM | ||
| Insaan Jaag Utha | Asha Bhosle, Mohammed Rafi, Shailendra | G Major | 2 | 9B | 97 BPM | ||
| Mathura Shyam Chale | Manna Dey, Geeta Dutt | G Minor | 4 | 6A | 84 BPM |