"Welcome To The Asylum" by The Ex had its release date on January 1, 1988. With this song being around four minutes long, at 4:17, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 5 out of 10 in Aural Guerrilla by The Ex. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Based on our statistics, Welcome To The Asylum's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Welcome To The Asylum by The Ex is Allegro (fast, quick, and bright), since this song has a tempo of 146 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Wish Defense | FACS | E Minor | 7 | 9A | 130 BPM | ||
| Come Play the Trees | Snapped Ankles | G Minor | 7 | 6A | 110 BPM | ||
| Madness | Komodor | D Major | 10 | 10B | 93 BPM | ||
| The Big Speakers | Pamplemousse | E Minor | 10 | 9A | 124 BPM | ||
| From Rags to Richards - Live at The Bodega | Sleaford Mods | B Major | 9 | 1B | 150 BPM | ||
| Get It | Marginal Gains | G Major | 5 | 9B | 86 BPM | ||
| Chrome Mess | The Hard Quartet | D♭ Major | 5 | 3B | 174 BPM | ||
| Trauschaft | eat-girls | G Major | 10 | 9B | 135 BPM | ||
| New Strangers In Town | The Necessaries | D Major | 10 | 10B | 93 BPM | ||
| Same Old News | The Ex | B Minor | 8 | 10A | 136 BPM | ||
| Sally's Beauty | Throwing Muses | E Minor | 5 | 9A | 115 BPM | ||
| Fireball - Demo | Alan Vega | D Major | 10 | 10B | 93 BPM | ||
| controlfreak69 | Gloin | G Major | 9 | 9B | 135 BPM | ||
| Former Reporter | The Ex | D Major | 9 | 10B | 78 BPM | ||
| Libretto | Throwing Muses | F♯ Major | 4 | 2B | 150 BPM | ||
| Moderate Air Quality | The Sick Man Of Europe | D♭ Major | 7 | 3B | 142 BPM | ||
| Apocalyptic Boom Boom | Des Demonas | B Minor | 9 | 10A | 129 BPM | ||
| Golden Touch | Lil Angel | D Major | 10 | 10B | 93 BPM | ||
| The Body as a Structure | DITZ | D♭ Major | 6 | 3B | 168 BPM | ||
| Vibrate Higher (ft. MOTHERBOARD) | Irreversible Entanglements, MOTHERBOARD | D Major | 10 | 10B | 93 BPM | ||
| Business As Usual | The Ex | A Major | 7 | 11B | 157 BPM | ||
| Yeah, Right | Black Eyes | E Major | 7 | 12B | 114 BPM | ||
| not all steeplejacks | Mclusky | C Major | 4 | 8B | 122 BPM | ||
| To Death | Ile de Garde | D Major | 10 | 10B | 93 BPM | ||
| That Kind Of Man | //LESS | C Major | 7 | 8B | 166 BPM |