Джоаккино Россини, Muslim Magomayev, Большой симфонический оркестр Центрального телевидения и Всесоюзного радио, Ниязи Тагизаде-Гаджибеков's ' "Севильский цирюльник: Каватина Фигаро" was released on its scheduled release date, January 24, 2018. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in Итальянское танго, so we believe that "Севильский цирюльник: Каватина Фигаро" is a single. Based on our statistics, Севильский цирюльник: Каватина Фигаро's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Севильский цирюльник: Каватина Фигаро by Джоаккино Россини, Muslim Magomayev, Большой симфонический оркестр Центрального телевидения и Всесоюзного радио, Ниязи Тагизаде-Гаджибеков is Allegro (fast, quick, and bright), since this song has a tempo of 124 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Le nozze di Figaro, K.492 / Act 3: "Riconosci in questo amplesso" | Wolfgang Amadeus Mozart, Tatiana Troyanos, Ferruccio Furlanetto, Paul Plishka, Michael Forest, Thomas Hampson, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | E♭ Major | 2 | 5B | 124 BPM | ||
| Los Gavilanes: "No hay por que gemir" | Coro Cantores de Madrid, Teresa Berganza | E Major | 2 | 12B | 93 BPM | ||
| Le nozze di Figaro, K.492 / Act 3: "Hai già vinta la causa" - "Vedrò mentr'io sospiro" | Wolfgang Amadeus Mozart, Thomas Hampson, Metropolitan Opera Orchestra, James Levine | C Major | 2 | 8B | 123 BPM | ||
| Tosca, Act II: Orsù, Tosca, parlate | Giacomo Puccini, Sherrill Milnes, Mirella Freni, Luciano Pavarotti, Michel Sénéchal, Paul Hudson, National Philharmonic Orchestra, Nicola Rescigno | G Minor | 2 | 6A | 176 BPM | ||
| Каватина Семирамиды из оперы "Семирамида" | Джоаккино Россини, Татьяна Амамчян, Vladimir Ovchinnikov | E♭ Major | 1 | 5B | 75 BPM | ||
| Un ballo in maschera / Act 1: "Volta la terrea" | Giuseppe Verdi, Edita Gruberova, Plácido Domingo, Antonio Savastano, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | B♭ Minor | 2 | 3A | 85 BPM | ||
| Eugene Onegin, Op. 24, TH. 5 / Act I: Scene and Duet. "Akh, noch minula" | Pyotr Ilyich Tchaikovsky, Mirella Freni, Ruthild Engert-Ely, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | ||
| Péchés de vieillesse, Vol. 2 "Album français": No. 4, Complainte à 2 voix "Un sou" | Gioachino Rossini, Alessandro Luciano, Vittorio Prato, Alessandro Marangoni | C Major | 3 | 8B | 81 BPM | ||
| Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 1: "Meco all’altar di Venere " | Vincenzo Bellini, John Osborn, Reinaldo Macias, International Chamber Vocalists, Orchestra La Scintilla, Giovanni Antonini | C Minor | 3 | 5A | 79 BPM | ||
| Madama Butterfly / Act 2: Tu, Suzuki, che sei tanto biona | Giacomo Puccini, Mirella Freni, Christa Ludwig, Robert Kerns, Elke Schary, Wiener Philharmoniker, Herbert von Karajan | D♭ Major | 0 | 3B | 64 BPM | ||
| Il Barbiere di Siviglia: Pace e gioia sia con voi - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly, Orchestra Del Teatro Alla Scala, Milano | D Major | 1 | 10B | 93 BPM | ||
| Rigoletto / Act I: Quel vecchio maledivami! | Giuseppe Verdi, Piero Cappuccilli, Nicolai Ghiaurov, Wiener Philharmoniker, Carlo Maria Giulini | F Major | 1 | 7B | 106 BPM | ||
| Cavalleria Rusticana (1987 - Remaster): O Lola ch'hai di lattl la cammisa (Turiddu) | Pietro Mascagni, José Carreras, Riccardo Muti, Philharmonia Orchestra | F Minor | 0 | 4A | 96 BPM | ||
| Le nozze di Figaro, K.492 / Act 4: "Giunse alfin il momento" | Wolfgang Amadeus Mozart, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | C Major | 0 | 8B | 108 BPM | ||
| L'elisir d'amore / Act I: "Che vuol dire codesta suonata?" | Gaetano Donizetti, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | A Major | 2 | 11B | 118 BPM | ||
| Linda di Chamounix, A. 62, Act I Scene 3: Ah! Tardai troppo | Gaetano Donizetti, Jessica Pratt, Orchestra del Maggio Musicale Fiorentino, Michele Gamba | D♭ Major | 0 | 3B | 141 BPM | ||
| Gounod: Faust, Act 2: "O sainte médaille, qui me viens de ma sœur" (Valentin, Wagner, Siebel, Chœur) | Charles Gounod, Michel Plasson, Chœur de l'Armée française, Choeur Du Capitole De Toulouse, Marc Barrard, Martine Mahé, Thomas Hampson, Orchestre Du Capitole De Toulouse | D♭ Major | 1 | 3B | 103 BPM | ||
| Tosca, Act I: Mario! Mario! Mario! | Giacomo Puccini, Eleonora Buratto, Jonathan Tetelman, Orchestra dell'Accademia Nazionale di Santa Cecilia, Daniel Harding | E♭ Minor | 3 | 2A | 135 BPM | ||
| Cherubini: Medea, Act 1: "O bella Glauce" (Chorus, Glauce) | Luigi Cherubini, Coro del Teatro alla Scala di Milano, Renata Scotto, Orchestra del Teatro alla Scala di Milano, Tullio Serafin, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Renata Scotto, Tullio Serafin | D Major | 2 | 10B | 116 BPM | ||
| Rigoletto / Act 2: "Parmi veder le lagrime" | Giuseppe Verdi, Plácido Domingo, Wiener Philharmoniker, Carlo Maria Giulini | F♯ Major | 1 | 2B | 166 BPM | ||
| La traviata / Act II: "Invitato a qui seguirmi" | Giuseppe Verdi, Anna Netrebko, Rolando Villazón, Helene Schneiderman, Herman Wallen, Luigi Roni, Paul Gay, Carlo Rizzi, Wiener Philharmoniker, Wiener Staatsopernchor, Rupert Huber | A♭ Major | 2 | 4B | 92 BPM | ||
| Lucia di Lammermoor / Act 3: "Si tragga altrove" | Gaetano Donizetti, Pier Francesco Poli, Sherrill Milnes, Nicolai Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 3 | 4A | 133 BPM | ||
| Gianni Schicchi: "Datemi il testamento!" | Giacomo Puccini, Leo Nucci, Ledo Freschi, Roberto Alagna, Ewa Podles, Ricardo Cassinelli, Barbara Frittoli, Barbara Guerrini, Giorgio Giorgetti, Enrico Fissore, Orazio Mori, Nicoletta Curiel, Coro Di Voci Bianchi "Guido Monaco" Di Prato, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | D♭ Major | 1 | 3B | 121 BPM | ||
| Don Giovanni, K. 527: Fuggi, crudele, fuggi! | Wolfgang Amadeus Mozart, Edda Moser, Kenneth Riegel, Lorin Maazel | D Minor | 2 | 7A | 106 BPM | ||
| Bellini: I puritani: "Suoni la tromba" (Giorgio, Riccardo) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM |