Jerry Reed's ' "How Many Tomorrows" was released on its scheduled release date, 1970. The duration of This song is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. How Many Tomorrows's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 11 in Cookin' by Jerry Reed. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, How Many Tomorrows's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of How Many Tomorrows by Jerry Reed is Allegro (fast, quick, and bright), since this song has a tempo of 136 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Would You Catch a Falling Star | John Anderson | D♭ Major | 3 | 3B | 109 BPM | ||
| Operator, Operator | Eddy Raven | A Major | 5 | 11B | 118 BPM | ||
| Thank Goodness It's Friday | Moe Bandy, Joe Stampley | D Major | 6 | 10B | 141 BPM | ||
| Juke Box Man | Dick Curless | A♭ Major | 7 | 4B | 185 BPM | ||
| Bubba Shot The Jukebox | Mark Chesnutt | G Major | 6 | 9B | 165 BPM | ||
| Faster Horses (The Cowboy And The Poet) | Tom T. Hall | G Major | 5 | 9B | 115 BPM | ||
| Goin' Through The Big D | Mark Chesnutt | B♭ Major | 9 | 6B | 174 BPM | ||
| Folsom Prison Blues | Jerry Reed | B♭ Major | 7 | 6B | 111 BPM | ||
| I Am Just a Rebel | Confederate Railroad | A Major | 8 | 11B | 127 BPM | ||
| Lookin' for Love | Johnny Lee | D Major | 4 | 10B | 124 BPM | ||
| Dig A Little Deeper In The Well | The Oak Ridge Boys | A♭ Major | 5 | 4B | 186 BPM | ||
| The Devil Went Down to Georgia | The Charlie Daniels Band | C Major | 5 | 8B | 135 BPM | ||
| Long Haired Country Boy | The Charlie Daniels Band | D Major | 4 | 10B | 145 BPM | ||
| Fast as You | Dwight Yoakam | E Major | 8 | 12B | 126 BPM | ||
| Hey, Good Lookin' | Hank Williams | G Major | 4 | 9B | 141 BPM | ||
| Drag 'Em Off The Interstate, Sock It To 'Em, J.P. Blues | Dick Curless | G Major | 7 | 9B | 160 BPM | ||
| I'm a Ramblin' Man | Waylon Jennings | G Major | 7 | 9B | 109 BPM | ||
| Fourteen Carat Mind | Gene Watson | C Major | 3 | 8B | 81 BPM | ||
| Honky Tonk Man | Johnny Horton | E Major | 5 | 12B | 136 BPM | ||
| She Made Toothpicks of the Timber of My Heart | Homer & Jethro | E Major | 5 | 12B | 116 BPM | ||
| Song of the South | Alabama | A Major | 6 | 11B | 165 BPM | ||
| Big Bad John | Jimmy Dean | A♭ Major | 4 | 4B | 173 BPM | ||
| Straight Tequila Night | John Anderson | A Major | 6 | 11B | 109 BPM | ||
| There Ain't No Good Chain Gang (with Waylon Jennings) | Johnny Cash, Waylon Jennings | F Minor | 5 | 4A | 111 BPM | ||
| Redneck Mother | Ray Wylie Hubbard | G Major | 5 | 9B | 77 BPM |