Rashmita Rabari's ' "Dwarika No Raja" was released on its scheduled release date, December 26, 2025. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Because this song is the only song in Dwarika No Raja and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Dwarika No Raja is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Dwarika No Raja by Rashmita Rabari is Andante (at a walking pace), since this song has a tempo of 102 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pacha Jata Sanwra | Rajni Rajasthani | D Major | 6 | 10B | 143 BPM | ||
| Gava Gava Mogal Maa Na Geet | Sagardan Gadhvi | F Major | 8 | 7B | 140 BPM | ||
| Tu Badlay To Tane Kasam | Vikram Thakor, Saloni Thakor | B♭ Minor | 8 | 3A | 110 BPM | ||
| Kolar Tait Rakhaje | Jignesh Kaviraj | C Minor | 9 | 5A | 95 BPM | ||
| Have Avija Nai To Jiv Jay Re | Naresh Thakor | D♭ Major | 9 | 3B | 85 BPM | ||
| MARA TE VEER NI POPAT SARKHI BOLI ||મારા તે વિરને પોપટ સરખી બોલી || Rashmita Rabari | Studio Krishna Bhanvad | F Major | 9 | 7B | 155 BPM | ||
| Dil Samji Ja Ne | Rahul Thakor | A Minor | 9 | 8A | 144 BPM | ||
| Tane Joi Mara Haiya Bali Gaya | Mahesh Vanzara, Gopal Bharwad | B Minor | 10 | 10A | 184 BPM | ||
| Kana Ne Notru Didhu Re | Jemish Bhagat | E♭ Minor | 9 | 2A | 113 BPM | ||
| Aai Rupal Na Valap Bharya Ven | Rashmita Rabari | F Major | 8 | 7B | 154 BPM | ||
| Ram Ne Vali Ramnagari (Goga Maharaj) | Vijay Raval | D♭ Major | 9 | 3B | 115 BPM | ||
| Ame Maiyara Gokul Gamna | Rashmita Rabari | B Minor | 9 | 10A | 102 BPM | ||
| Bulava Ayaa Sawal Seth Ka | Mukesh Mahadeva | F♯ Major | 9 | 2B | 154 BPM | ||
| Mehandipur Ke Dham Chalenge | Narender Kaushik | F♯ Major | 8 | 2B | 137 BPM | ||
| Cameraman Focus Karo | Kaushik Bharwad, Heena Mir | C Major | 8 | 8B | 170 BPM | ||
| Bewafai | Dhaval Kapadia, Umesh Barot | D♭ Minor | 9 | 12A | 199 BPM | ||
| Taro Ashik Malva Mage | Dilip Thakor | B Minor | 9 | 10A | 121 BPM | ||
| Bewafa Tane Bhagavan Maf Nai Kare | Aakash Thakor | F♯ Minor | 10 | 11A | 81 BPM | ||
| Meera Ra Mohan | Ratan Rao | C Minor | 10 | 5A | 76 BPM | ||
| Tu To Bhuli Jais Hu Kadi Nai Bhuli | Manu Rabari, Rakesh Barot | B♭ Minor | 9 | 3A | 100 BPM | ||
| Jhuthi Duniya Main Rehna | Chitra Vichitra Ji Maharaj | G Major | 9 | 9B | 153 BPM | ||
| Valamiya Mane Pal Pal Jug Jeva Lage | Rajstudio, Rashmita Rabari | F Minor | 7 | 4A | 109 BPM | ||
| Mane Lai Halo Gujarat (Dj Hari Surat) - Original | Pravin Patel, Rashmita Rabari, DJ Hari Surat | C Major | 9 | 8B | 180 BPM | ||
| Kede Katari Albeli | Rashmita Rabari | C Major | 8 | 8B | 138 BPM | ||
| Tara Vina Sunu Sunu Lage | Tejal Thakor, Kamlesh Chhatraliya | G Major | 9 | 9B | 150 BPM |