"Deference and Complicity" by Howard Shore had its release date on November 6, 2015. With This song being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 18 in the song's album "Spotlight (Original Motion Picture Soundtrack)". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. In terms of popularity, Deference and Complicity is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Deference and Complicity by Howard Shore having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dreaming of Bag End | Howard Shore | D Major | 1 | 10B | 88 BPM | ||
| Kevin Wendell Crumb | West Dylan Thordson | F Minor | 1 | 4A | 100 BPM | ||
| A Sepulchre | George Fenton | A Major | 0 | 11B | 74 BPM | ||
| The Revenant Main Theme | Ryuichi Sakamoto | A Major | 2 | 11B | 73 BPM | ||
| Meeting the Others | West Dylan Thordson | E♭ Minor | 1 | 2A | 139 BPM | ||
| Then We Are Together | Johan Söderqvist | A♭ Major | 2 | 4B | 171 BPM | ||
| Collateral Beauty | Theodore Shapiro | D Major | 0 | 10B | 64 BPM | ||
| Are You Watching Closely? | The Prestige | E Minor | 2 | 9A | 173 BPM | ||
| Pennies For The Ferryman | Trevor Jones | D Minor | 1 | 7A | 116 BPM | ||
| Church Dream | Ryuichi Sakamoto, alva noto | E Minor | 3 | 9A | 87 BPM | ||
| Whit and Amy / Time Visit #2 | Theodore Shapiro | G Minor | 1 | 6A | 154 BPM | ||
| The Cloud Atlas Sextet for Orchestra | Tom Tykwer, Johnny Klimek, Reinhold Heil, Gene Pritsker | D♭ Major | 3 | 3B | 128 BPM | ||
| True Identity | Patrick Doyle | B♭ Major | 1 | 6B | 116 BPM | ||
| The Message | Howard Shore | B Minor | 0 | 10A | 120 BPM | ||
| Two Loves | Alan Silvestri | G Minor | 0 | 6A | 129 BPM | ||
| A Prayer | Howard Shore | A Minor | 0 | 8A | 89 BPM | ||
| "Perhaps You Brought Them to Life - Given Them a Soul" | Alan Silvestri | G Major | 1 | 9B | 70 BPM | ||
| Adagio For Julia | The Prestige | A Minor | 1 | 8A | 71 BPM | ||
| Homecoming | Roque Baños | F Major | 1 | 7B | 69 BPM | ||
| You Are Gonna Die | Marc Streitenfeld | E♭ Major | 1 | 5B | 84 BPM | ||
| The Failed Visit | Nico Muhly | F Major | 1 | 7B | 91 BPM | ||
| I Won't Leave You | Clinton Shorter | D Major | 1 | 10B | 119 BPM | ||
| The Globe Newsroom | Howard Shore | G Major | 0 | 9B | 106 BPM | ||
| Reaching Land | Johan Söderqvist, Hans Ek, Philharmonia Orchestra | D Major | 0 | 10B | 175 BPM | ||
| The Choice is Ours | George Fenton | D Major | 1 | 10B | 74 BPM |