Mukesh Bagda's ' "Chhodenge Na Hum Tera Dwar" was released on its scheduled release date, 2017. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Because this song is the only song in Chhodenge Na Hum Tera Dwar and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Chhodenge Na Hum Tera Dwar is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Chhodenge Na Hum Tera Dwar by Mukesh Bagda is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kashi Vishwanath Gange | Lalit Mastana | C Major | 8 | 8B | 80 BPM | ||
| Shiv Lehri Ke Darbar Me Sabka Khata Hai | Niranjan Pandya | A♭ Minor | 8 | 1A | 86 BPM | ||
| Mori Kherapati | Manish Agrawal | D♭ Major | 7 | 3B | 180 BPM | ||
| Jehne Karam Likhlau | Arvind Singh | A♭ Major | 8 | 4B | 159 BPM | ||
| Tere Damru Ki Dhun Sunke Main Kashi Nagri Aai Hu | Pandit Pradeep Ji Mishra | D♭ Major | 6 | 3B | 94 BPM | ||
| Deewane Hum Tere Pal Pal Tujhko Manayenge | Bhagwat Suthar | D Minor | 4 | 7A | 147 BPM | ||
| Desh Bhakti | Mishra Bandhu | C Major | 9 | 8B | 81 BPM | ||
| Bajaya Awadh Mein Thaal | Jai Shankar, Mukesh Bagda | D♭ Minor | 5 | 12A | 193 BPM | ||
| Mahaveer Kaho Mahaveer | Ravindra Jain | C Major | 7 | 8B | 87 BPM | ||
| Kanhaiya Tumhen Ik Najar Dekhna Hai | Bhaiya Krishan Das Ji | E Major | 5 | 12B | 83 BPM | ||
| Kismat Ka Maara Hoon | Mukesh Bagda | C Minor | 9 | 5A | 142 BPM | ||
| Radhe Pyare Tera Hum | Sadhvi Purnima Ji | D♭ Major | 8 | 3B | 90 BPM | ||
| Daya Kar Daan Vidya Ka | Vidhi Sharma | B Major | 7 | 1B | 80 BPM | ||
| Baba Tu Itna Bata De | Sheetal Pandey | A Major | 7 | 11B | 146 BPM | ||
| Aavno Padela | Prakash Mali | A♭ Major | 7 | 4B | 92 BPM | ||
| Sanwri Suratiya Pe Vaari Jaavan | Mukesh Bagda | A♭ Major | 6 | 4B | 75 BPM | ||
| Vrishbhanu Ki Dulari Badi Pyari | Sadhvi Purnima Ji | E Minor | 9 | 9A | 115 BPM | ||
| Mere Jar Jar Hai Paon | Sadhvi Purnima | D♭ Minor | 10 | 12A | 127 BPM | ||
| Bolti Hai Murti | Raj Pareek | G Major | 8 | 9B | 83 BPM | ||
| Prabh Ko Agar Bhuloge Bande | Dhiraj Kant | F Minor | 8 | 4A | 91 BPM | ||
| Neele Ghode Wala 5 | Kala Ram, Renu Kumar | C Major | 2 | 8B | 123 BPM | ||
| Shyam Hamara Hai | Ginny Kaur | A♭ Minor | 8 | 1A | 86 BPM | ||
| Maili chadar odhke kaise dwar tumhare aau | Ayodhyadas Nimavat | F♯ Major | 7 | 2B | 91 BPM | ||
| Bada Hai Dayalu Bholenath | Manish Tiwari | F Minor | 7 | 4A | 149 BPM | ||
| Baba Mujhko Dijiye | Vijay Soni | F♯ Major | 5 | 2B | 81 BPM |