Architects's 'BTN' had a release date set for July 13, 2012. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "The Here and Now". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. In terms of popularity, BTN is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With BTN by Architects having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Waiting | We Are The Ocean | D Major | 10 | 10B | 187 BPM | ||
| Pull Back The Reins | Comeback Kid | F♯ Minor | 9 | 11A | 131 BPM | ||
| Anything Can Happen In the Next Half Hour | Enter Shikari | D♭ Minor | 9 | 12A | 120 BPM | ||
| Fire In The Skies | Darkest Hour | F Major | 10 | 7B | 111 BPM | ||
| Melior | I Killed The Prom Queen | E Minor | 10 | 9A | 110 BPM | ||
| Revival Mode | Every Time I Die | F♯ Major | 9 | 2B | 117 BPM | ||
| Promise Stays | Alpha Wolf | C Major | 9 | 8B | 120 BPM | ||
| No. 2 | Alpha Wolf | B♭ Minor | 10 | 3A | 90 BPM | ||
| Memento Vivere | I Killed The Prom Queen | F♯ Major | 10 | 2B | 105 BPM | ||
| Hansha | Oceans Ate Alaska | G Major | 8 | 9B | 130 BPM | ||
| ... And Their Consequence | Being As An Ocean | A♭ Major | 10 | 4B | 110 BPM | ||
| Thirty One & Sevens | I Killed The Prom Queen | B Minor | 10 | 10A | 92 BPM | ||
| Nothing You Can Do To Me | Stick To Your Guns, Walter Delgado | B♭ Major | 8 | 6B | 182 BPM | ||
| Spirit Breaker | Alpha Wolf | B Minor | 10 | 10A | 200 BPM | ||
| Newborn Mind | Napoleon | B Major | 10 | 1B | 110 BPM | ||
| Funeral Singer | Norma Jean | D Major | 10 | 10B | 118 BPM | ||
| Home Sweet Hole | Bring Me The Horizon | B♭ Minor | 9 | 3A | 103 BPM | ||
| Power Through Fear | Rise To Remain | A Major | 9 | 11B | 120 BPM | ||
| The Sweet Life | Every Time I Die | C Major | 10 | 8B | 182 BPM | ||
| Die Alone (In Your Lover's Arms) | Holding Absence | A♭ Minor | 9 | 1A | 160 BPM | ||
| We Are The Future | Crossfaith | F♯ Major | 10 | 2B | 186 BPM | ||
| Echoes | Allt | G Major | 9 | 9B | 82 BPM | ||
| Mothership | Enter Shikari | F♯ Major | 9 | 2B | 144 BPM | ||
| The Other Side | Malevolence | C Minor | 7 | 5A | 95 BPM | ||
| Breaking the Mirror | Fit For A King | D♭ Major | 10 | 3B | 168 BPM |