Mohd Sadiq & Ranjit Kaur's ' "Challa Hath Naal" was released on its scheduled release date, January 1, 2002. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Zara Has Ke by Mohd Sadiq & Ranjit Kaur. The song's track number on the album is #4 out of 6 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Based on our statistics, Challa Hath Naal's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Challa Hath Naal by Mohd Sadiq & Ranjit Kaur has a tempo of 130 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Challa Hath Naal being at 130 BPM, the half-time would be 65 BPM with a double-time of 260 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Baba Khetarpal | Satpal Billa | D♭ Major | 9 | 3B | 116 BPM | ||
| Rati Dhadd Vajai | Jagga Safri, Kiranjoti | D♭ Major | 9 | 3B | 122 BPM | ||
| Chaaman Gooriyan | Gurbaksh Shonki | F♯ Major | 5 | 2B | 132 BPM | ||
| Vairiyan De Dukh | Amrita Virk | D♭ Minor | 4 | 12A | 118 BPM | ||
| Kali Mor Maya Ho | Dukalu Yadav | F Minor | 6 | 4A | 130 BPM | ||
| Sada Ishak Ajeeb Kahani | Debi Makhsoospuri | D Major | 9 | 10B | 96 BPM | ||
| Ik Mahina Jeth Da | Surinder Shinda, Gulshan Komal | B♭ Minor | 6 | 3A | 82 BPM | ||
| Chhalla Nishani | Sarabjit Bugga, Manpreet Bugga | A♭ Major | 5 | 4B | 149 BPM | ||
| Bhai Mati Daas | Jagmohan Kaur, Narinder Biba, K. Deep | F Minor | 7 | 4A | 94 BPM | ||
| Ran Najara Dediya | Bagga Safri, Kiran Jyoti | D♭ Major | 7 | 3B | 116 BPM | ||
| Gaalav Rishi Bharam Me Bilkul Chur Ho Gaya | Koshinder Khadana | F♯ Major | 6 | 2B | 129 BPM | ||
| Rabb Karke Silsila | Surinder Bachan, Ranjit Mani | A Major | 7 | 11B | 89 BPM | ||
| Gallan Mithiya Mithiya Kareya | Balkar Sidhu, Lal Kamal, Kripal Maena | F♯ Major | 8 | 2B | 131 BPM | ||
| Bura Haal Karke | Amrita Virk | A♭ Major | 6 | 4B | 143 BPM | ||
| Tere Mere Pyar Diyan Galan | Mohd Sadiq & Ranjit Kaur | G Major | 9 | 9B | 98 BPM | ||
| Darbar Jaudeo Bhagto | Narendra Chanchal | D♭ Major | 9 | 3B | 95 BPM | ||
| Peero Ke Peer Hai Lakhdata | Balbir Takhi, Kuldip Mahi, Sohan Lal Saini | F Major | 4 | 7B | 76 BPM | ||
| Chhad Tur Gaya Bhani Noon | Gurdev Chahal | B♭ Minor | 4 | 3A | 119 BPM | ||
| Main Teri Minat Karan | Mohd Sadiq & Ranjit Kaur | F♯ Major | 9 | 2B | 101 BPM | ||
| Kurhi Kuarhi De | Amrik Toofan, Harjit Mattu | A♭ Major | 8 | 4B | 119 BPM | ||
| Main Kidan Ghund Kadhan | Mohd Sadiq & Ranjit Kaur | C Major | 2 | 8B | 128 BPM | ||
| Mor Sade Laddu | Muhammad Sadiq, Ranjit Kaur | F♯ Minor | 9 | 11A | 92 BPM | ||
| Angootha Dil Wali Wahi | Gurdas Maan | F Minor | 7 | 4A | 117 BPM | ||
| Teri Akh Darvaze Firdi | Mohd. Sadiq, Diljit Kaur | C Major | 5 | 8B | 105 BPM | ||
| Main Botal Ban Ke Aaee Ve | Didar Sandhu, Snehlata | A♭ Minor | 7 | 1A | 172 BPM |