"What Might've Been" by Sam Hulick had its release date on September 23, 2014. With This song being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 3 out of 3 in Destination: Mars by Sam Hulick. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. What Might've Been is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of What Might've Been by Sam Hulick is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Verdaderas Conexiones | Nimetas | C Major | 2 | 8B | 125 BPM | ||
| Good2U | Ricardo Morjona | F Major | 4 | 7B | 160 BPM | ||
| 見えざる手 | HOYO-MiX | E Major | 4 | 12B | 144 BPM | ||
| Justo Ahora | toribio | B♭ Major | 4 | 6B | 125 BPM | ||
| Guerras Familiares | Bulruk | E Minor | 3 | 9A | 100 BPM | ||
| Ture Nature of Kaya-chan | KOHTA YAMAMOTO | E Major | 4 | 12B | 144 BPM | ||
| Life Is Good | Aleksey Voron | F Major | 5 | 7B | 105 BPM | ||
| Diversidad. | Inspire | B♭ Minor | 3 | 3A | 85 BPM | ||
| La Parte Positiva | Noches Eternas | A♭ Minor | 4 | 1A | 105 BPM | ||
| Celestial | Cavid Babayev, Constalanta | B♭ Minor | 2 | 3A | 95 BPM | ||
| Natura Ultraterrena | Sagrifizio | G Major | 6 | 9B | 100 BPM | ||
| I'm Sorry | Cris Velasco, Sascha Dikiciyan | F Minor | 4 | 4A | 147 BPM | ||
| Figli Del Sole | Sagrifizio | G Major | 5 | 9B | 110 BPM | ||
| Parallel Dimension | Joyce Allen, Test Drive | B Major | 1 | 1B | 70 BPM | ||
| Colossal | Cavid Babayev, Constalanta | C Major | 6 | 8B | 170 BPM | ||
| Eduardo | Mai Clayton, MaiMoone | B Major | 2 | 1B | 127 BPM | ||
| Sin Reglas | Inspire | C Minor | 2 | 5A | 94 BPM | ||
| Approaching the End | Peter Widebay | A♭ Minor | 3 | 1A | 105 BPM | ||
| Nuevas Oportunidades | Valores Especiales | D Minor | 2 | 7A | 100 BPM | ||
| Risnevic | Samed Manellan, Faun | E Major | 1 | 12B | 80 BPM | ||
| Maria | Behruz Qarayev, Bixpat | D♭ Major | 1 | 3B | 90 BPM | ||
| Zenith | Chronyxis | C Minor | 1 | 5A | 90 BPM | ||
| The Expansion End Titles | Thorwald Odin | C Minor | 2 | 5A | 60 BPM | ||
| Silentgrid | Velora | F♯ Minor | 4 | 11A | 105 BPM | ||
| Horizon | Chronyxis | A Minor | 4 | 8A | 156 BPM |