On October 23, 2001, the song "Remotable" was released by Monolake. This song is about six minutes long, preciously at 5:40, making this song fairly long compared to other songs. The song is number 6 out of 10 in Cinemascope by Monolake. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Remotable's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Remotable by Monolake is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Prana | The Detroit Escalator Co. | A Major | 7 | 11B | 152 BPM | ||
| Synthax | Luke Vibert | B♭ Minor | 10 | 3A | 108 BPM | ||
| Untitled D3 | SW. | E Major | 7 | 12B | 140 BPM | ||
| Arit - VLSI Version | Monolake | B Minor | 2 | 10A | 128 BPM | ||
| Cut and Run | Forest Drive West | E Minor | 9 | 9A | 154 BPM | ||
| Schizophrenia | Thomas Fehlmann | F Minor | 10 | 4A | 135 BPM | ||
| Invisible | Monolake | D♭ Major | 6 | 3B | 133 BPM | ||
| Untitled C2 | SW. | B♭ Minor | 6 | 3A | 130 BPM | ||
| Second Blood | Claro Intelecto | E♭ Minor | 7 | 2A | 180 BPM | ||
| Quadrant Dub I - Edit | Basic Channel | C Major | 3 | 8B | 124 BPM | ||
| Omnipresence | The Future Sound Of London | G Minor | 7 | 6A | 126 BPM | ||
| Fragen | Pole | A Major | 5 | 11B | 184 BPM | ||
| Melange | Deepchord | D♭ Major | 6 | 3B | 126 BPM | ||
| Lagonda | Deepchord | D♭ Minor | 5 | 12A | 132 BPM | ||
| Cost II | The Black Dog | A♭ Minor | 8 | 1A | 124 BPM | ||
| Neurotic Behavior | Psyche/BFC | D♭ Major | 7 | 3B | 109 BPM | ||
| Olivine | Close Up Over | C Major | 8 | 8B | 129 BPM | ||
| SCN 2 | Priori | D Major | 7 | 10B | 136 BPM | ||
| Sonic Surface | Abfahrt Hinwil | A Minor | 7 | 8A | 118 BPM | ||
| Untitled D1 | SW. | C Minor | 6 | 5A | 130 BPM | ||
| Rock In The Video Age | Jan Jelinek | F♯ Minor | 4 | 11A | 120 BPM | ||
| Void/Comm | B12 | C Minor | 9 | 5A | 130 BPM | ||
| Textuell - Mixed | Oval | F♯ Minor | 4 | 11A | 121 BPM | ||
| Tranquillizer | Biosphere | F♯ Minor | 4 | 11A | 108 BPM | ||
| As Worldly Pleasures Wave Goodbye…. | Two Lone Swordsmen | E Minor | 7 | 9A | 95 BPM |