Ella Fitzgerald's ' "Nice Work If You Can Get It" was released on its scheduled release date, November 11, 2011. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 46 in the song's album "The Greatest Collection". In this album, this song's track order is #28. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Nice Work If You Can Get It's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Nice Work If You Can Get It by Ella Fitzgerald having a BPM of 141 with a half-time of 70 BPM and a double-time of 282 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Naima | John Coltrane | B♭ Minor | 0 | 3A | 171 BPM | ||
| Hello, Dolly! - 2001 Remaster | Bobby Darin | F♯ Major | 4 | 2B | 161 BPM | ||
| Young at Heart | Jimmy Durante | B♭ Major | 3 | 6B | 81 BPM | ||
| I Wish It Would Snow | Gloria Lynne | E♭ Major | 4 | 5B | 181 BPM | ||
| Let's Do It | Eartha Kitt | A♭ Major | 1 | 4B | 97 BPM | ||
| Hallelujah, I Love Him So | Peggy Lee | D♭ Major | 2 | 3B | 139 BPM | ||
| Stormy Weather | Ella Fitzgerald | G Minor | 3 | 6A | 64 BPM | ||
| Too Young To Go Steady | John Coltrane Quartet | F Major | 2 | 7B | 130 BPM | ||
| Almost Like Being In Love | Red Garland, Paul Chambers, Art Taylor | C Minor | 3 | 5A | 94 BPM | ||
| September Song | Eartha Kitt | E♭ Major | 2 | 5B | 135 BPM | ||
| I'm Through With Love | Lorez Alexandria | B♭ Major | 1 | 6B | 165 BPM | ||
| Solitude | Eartha Kitt | E♭ Major | 2 | 5B | 123 BPM | ||
| Si tu vois ma mère - Slow | Sidney Bechet, Claude Luter et son orchestre | E♭ Major | 4 | 5B | 80 BPM | ||
| You're The Top | Anita O'Day | F♯ Minor | 2 | 11A | 76 BPM | ||
| It Had to Be You | Bobby Darin | D Major | 3 | 10B | 68 BPM | ||
| I'm Gettin' Sentimental Over You | Tommy Dorsey | A Major | 1 | 11B | 104 BPM | ||
| Baby, Don't You Cry | Dakota Staton | A♭ Minor | 2 | 1A | 75 BPM | ||
| Don't Sit Under the Apple Tree | Glenn Miller | G Major | 2 | 9B | 180 BPM | ||
| Let's Call The Whole Thing Off | Fred Astaire | F Minor | 2 | 4A | 110 BPM | ||
| How Deep Is The Ocean? | Bill Evans Trio | F Minor | 2 | 4A | 120 BPM | ||
| On The Sunny Side Of The Street | Billie Holiday | A♭ Major | 1 | 4B | 120 BPM | ||
| Cry Me a River | Sam Cooke | D Minor | 4 | 7A | 101 BPM | ||
| You Couldn't Be Cuter | Margaret Whiting | D♭ Major | 2 | 3B | 80 BPM | ||
| Manhattan | Ella Fitzgerald | B♭ Major | 3 | 6B | 114 BPM | ||
| Over the Rainbow | Johnny Mathis | E♭ Major | 2 | 5B | 115 BPM |