Mahesh Ranjan Shome's ' "Kishorir Prem Nibi Aay" was released on its scheduled release date, August 23, 1996. The duration of This song is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Kishorir Prem Nibi Aay's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Traditional, Mahesh Ranjan Shome's "Kirtansudha" album is number 2 out of 8. On top of that, India appears to be the country where this track was created. Based on our statistics, Kishorir Prem Nibi Aay's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Kishorir Prem Nibi Aay by Mahesh Ranjan Shome to be Allegro (fast, quick, and bright) because the track has a tempo of 143 BPM, a half-time of 72BPM, and a double-time of 286 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ma Achhen Aar Ami Achhi | Ajoy Chakrabarty | D♭ Major | 4 | 3B | 161 BPM | ||
| Devi Viradrupa | Sri Ganapathy Sachchidananda Swamiji | G Major | 5 | 9B | 141 BPM | ||
| Aaji Mandiror | Pankaj Bardoloi | G Minor | 6 | 6A | 167 BPM | ||
| Maa Shok Dukh Nivarini | Kumaar Sanjeev | A Major | 8 | 11B | 82 BPM | ||
| Kavlya Pananchi Nagin | Shakuntala Jadhav | E♭ Minor | 3 | 2A | 214 BPM | ||
| Jeev Jeevan Jagat Mein | Rajesh Goswami | D Major | 10 | 10B | 116 BPM | ||
| Oi Ranga Charan Korle Sadhana | Ashoke Ghosh | C Major | 5 | 8B | 152 BPM | ||
| Kiti Belachi Aawdi | Ajit Kadkade | B♭ Major | 6 | 6B | 112 BPM | ||
| Raghuvar Tumko Meri Laaj | Satya Adhikar | E Major | 4 | 12B | 176 BPM | ||
| Mila Vatan ka khula nimantran | Brahma Kumaris | D Major | 3 | 10B | 75 BPM | ||
| Aarti Gyanraja | Ajeet Kumar Kadkade | A♭ Major | 7 | 4B | 104 BPM | ||
| Khelaghor Badhte Legechhi | Srikanta Acharya | B♭ Major | 2 | 6B | 96 BPM | ||
| Ki Diye Pujibo Bhagaban | Mahesh Ranjan Shome | D♭ Minor | 4 | 12A | 137 BPM | ||
| Hanuman Chalisa in Raag Jaunpuri | Sudeepto Chakraborty | A Minor | 4 | 8A | 121 BPM | ||
| Keno Saradin | Manomay Bhattacharya | B Major | 3 | 1B | 119 BPM | ||
| Podaboli Kirtan (Holi Leela) | Aditi Munshi | B Major | 4 | 1B | 93 BPM | ||
| Sui Ja Re Sui Ja O Maara Bal | Dipali Somaiya | E Minor | 4 | 9A | 102 BPM | ||
| More Bare Bare | Srikanta Acharya | C Major | 6 | 8B | 131 BPM | ||
| Nwngbai Malaikha Aswk Salni Ulo | Arun Debbarma | E♭ Major | 9 | 5B | 114 BPM | ||
| Trinoyoni Elokeshi | Raghab Chatterjee | C Minor | 6 | 5A | 136 BPM | ||
| Astottoro Shotonam - Original | Apily Dutta Bhowmick | D♭ Major | 7 | 3B | 144 BPM | ||
| Sod Gabhara Ekda | Anshuman More | A Major | 10 | 11B | 180 BPM | ||
| Sabari Maa Hoye Aaji | Mahesh Ranjan Shome | F♯ Minor | 2 | 11A | 165 BPM | ||
| Shyama Namer Laglo Aagun | Mitali Banerjee | B♭ Major | 7 | 6B | 140 BPM | ||
| Samba Sada Shiva (feat. Chorus) | Pandit Eshwer Persaud, Chorus | D♭ Major | 6 | 3B | 88 BPM |