Left On Red's 'IT'S WORTH IT' had a release date set for September 27, 2025. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 5 out of 13 in FROM ANGER//WITH LOVE by Left On Red. In terms of popularity, IT'S WORTH IT is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of IT'S WORTH IT by Left On Red is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 5/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Mirror | Enthronement | D♭ Major | 9 | 3B | 160 BPM | ||
| Told Off With a Sawed Off | Autumn Lies Buried | C Major | 10 | 8B | 163 BPM | ||
| Manifesto | Uncured | F♯ Minor | 7 | 11A | 179 BPM | ||
| Telephones | Terrorbyte | E Major | 10 | 12B | 130 BPM | ||
| The Color Smoke | In Somni, Adam Ramey | D Major | 10 | 10B | 170 BPM | ||
| The Silence We Keep | What Lies Below | B Minor | 10 | 10A | 110 BPM | ||
| Another Ghost | Upon A Burning Body | E♭ Major | 10 | 5B | 110 BPM | ||
| We're Not Gonna Pump up the Jam | The John Candy | D Minor | 9 | 7A | 125 BPM | ||
| Boosters or Plastic Crack | Lost Souls | A♭ Major | 4 | 4B | 123 BPM | ||
| Devil's Debt | Making Blind Eyes See | E Minor | 10 | 9A | 110 BPM | ||
| Silver Lining, Pt. 2 | A Moments Notice | D♭ Major | 10 | 3B | 155 BPM | ||
| Neptune's Spear | Hunt the Dinosaur | C Major | 10 | 8B | 120 BPM | ||
| Seasons | Dead Eyes | G Major | 9 | 9B | 186 BPM | ||
| Opening the Gates | Bind the Sacrifice | D♭ Major | 10 | 3B | 105 BPM | ||
| Barbaric | Deliverance, Jackson Rose | F Minor | 10 | 4A | 135 BPM | ||
| Wither | Deadlands | B♭ Major | 10 | 6B | 165 BPM | ||
| Die With A Smile | Her Last Sight | F♯ Minor | 9 | 11A | 158 BPM | ||
| The Sound of Silence IV: Fourklift Certified | Sail's End | G Major | 10 | 9B | 125 BPM | ||
| Omen | Phantom Limbs | D♭ Major | 9 | 3B | 110 BPM | ||
| Denial | Then It Ends | B Minor | 10 | 10A | 128 BPM | ||
| A Bar Song (Tipsy) | Sammy SlamDance, Yugen | F♯ Minor | 10 | 11A | 162 BPM | ||
| What Will Be | Hollow Valley, Yung Mo$h | D♭ Major | 10 | 3B | 82 BPM | ||
| Trauma Room | ENOX | A Major | 10 | 11B | 99 BPM | ||
| Hail the King | Robert Marcko | A♭ Major | 8 | 4B | 130 BPM | ||
| Rabid Dogs | Actus Reus | D Major | 10 | 10B | 165 BPM |