Los Kjarkas's ' "Todo Me Habla de Ti" was released on its scheduled release date, November 4, 1990. With this song being around four minutes long, at 4:05, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Los Kjarkas's "Los Andes...Descubrió Su Rostro Milenario" album is number 3 out of 10. On top of that, Switzerland appears to be the country where this track was created. Based on our statistics, Todo Me Habla de Ti's popularity is average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Todo Me Habla de Ti by Los Kjarkas to be Allegro (fast, quick, and bright) because the track has a tempo of 132 BPM, a half-time of 66BPM, and a double-time of 264 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Morenada | Raymi Bolivia | E Minor | 10 | 9A | 103 BPM | ||
| Y para Qué | Diableros Jujeños, María Juana | G Major | 8 | 9B | 132 BPM | ||
| Chiquita Orureñita | Raymi Bolivia | E Minor | 7 | 9A | 98 BPM | ||
| Cholita de Ojos Azules | Horizontes | C Major | 5 | 8B | 111 BPM | ||
| Solo | Pacha | B♭ Major | 5 | 6B | 132 BPM | ||
| Tu Mi Dulce Sueño | Amar Bolivia | A Minor | 9 | 8A | 97 BPM | ||
| Negra Bandida | Awatiñas | F♯ Minor | 7 | 11A | 137 BPM | ||
| La Caraqueña | Enriqueta Ulloa | D Major | 4 | 10B | 121 BPM | ||
| Imillitay | Los Kjarkas | D♭ Minor | 7 | 12A | 155 BPM | ||
| Cholita de ojos bonitos | Raymi Suite | A Major | 5 | 11B | 80 BPM | ||
| El Embrujo de La Saya | Amaru | G Minor | 8 | 6A | 93 BPM | ||
| Todo Se Terminó | Ayra Bolivia | A♭ Major | 9 | 4B | 98 BPM | ||
| Ven Conmigo | Niirban | F♯ Minor | 4 | 11A | 110 BPM | ||
| Sólo por Tu Amor | Proyección | C Major | 6 | 8B | 151 BPM | ||
| Selección de Kullaguadas: Por Que Soy Pobre, Ojitos Negros, Quisiera Decirte Adiós | Grupo Femenino Bolivia | F♯ Minor | 8 | 11A | 85 BPM | ||
| Vivir Junto a Ti | Los Kjarkas | A Minor | 7 | 8A | 115 BPM | ||
| Acaso Porque Te Quiero | Yara | C Major | 7 | 8B | 82 BPM | ||
| Cruel Destino | Proyección | C Major | 5 | 8B | 74 BPM | ||
| Verbenita | Savia Andina | D Minor | 2 | 7A | 77 BPM | ||
| Ojos de Cielo | Juan Enrique Jurado | F Minor | 5 | 4A | 83 BPM | ||
| Donde Estarás | Grupo Amanecer | D Major | 6 | 10B | 126 BPM | ||
| Manañachu | Jarawi | C Minor | 3 | 5A | 104 BPM | ||
| Cueca del Estudiante | Horizontes | E♭ Major | 5 | 5B | 129 BPM | ||
| Selección de Kullawadas | K'achas | B Minor | 6 | 10A | 73 BPM | ||
| Negro Corazón | Maya Andina | B♭ Major | 7 | 6B | 102 BPM |