David Stephen Goldsmith, Andrew Michael Britton's 'Digital Destruction' had a release date set for July 19, 2010. With This song being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 18 out of 26 in Film Trailers by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Digital Destruction's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Digital Destruction by David Stephen Goldsmith, Andrew Michael Britton is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Slappy | Andy Britton, David Stephen Goldsmith | A Minor | 9 | 8A | 178 BPM | ||
| Really Pissed Off (End Credits) | Tyler Bates, Joel J. Richard | G Major | 7 | 9B | 175 BPM | ||
| Line of Duty Finale | Carly Paradis | C Major | 3 | 8B | 113 BPM | ||
| Tomahawk | Vance Westlake, Sacha James Collisson | C Major | 9 | 8B | 109 BPM | ||
| The Fantabulous Emancipation of One Harley Quinn | Daniel Pemberton | D Minor | 4 | 7A | 190 BPM | ||
| Expectations | 2WEI | E Minor | 7 | 9A | 80 BPM | ||
| Shouldn't Have Let You Go | David Stephen Goldsmith, Andrew Michael Britton, Niamh McNally | C Minor | 9 | 5A | 140 BPM | ||
| After Blast | Gregg Lehrman, Boris Nonte | C Minor | 4 | 5A | 146 BPM | ||
| The Punisher Main Title | Tyler Bates | G Major | 7 | 9B | 75 BPM | ||
| La fábrica de moneda y tímbre | Manel Santisteban, Iván M. Lacámara | A Minor | 6 | 8A | 117 BPM | ||
| Le Souffle de Vie | Germain Izydorczyk | D Major | 1 | 10B | 99 BPM | ||
| La Vendetta | Tyler Bates, Joel J. Richard | D Minor | 6 | 7A | 175 BPM | ||
| Black Hole Ceremony | Emmanuel David Lipszyc, Sébastien Lipszyc | D♭ Major | 4 | 3B | 160 BPM | ||
| Great Ambition | Andy Britton, David Stephen Goldsmith | C Minor | 7 | 5A | 79 BPM | ||
| Warm Shadow (Dactyl Remix) - The Walking Dead Soundtrack | Fink | E Minor | 4 | 9A | 128 BPM | ||
| Funeral March | 2WEI | D♭ Major | 5 | 3B | 101 BPM | ||
| One Minute Over | Zack Hemsey | D Minor | 4 | 7A | 166 BPM | ||
| Secret Corruption | David Stephen Goldsmith, Andrew Michael Britton, Andrew Skeet | B Minor | 2 | 10A | 158 BPM | ||
| Requiem Varus | Ali N. Askin | D♭ Minor | 9 | 12A | 120 BPM | ||
| Sparring | John Paesano | B♭ Major | 1 | 6B | 100 BPM | ||
| Top of the Tower | Harry Gregson-Williams | D♭ Major | 5 | 3B | 103 BPM | ||
| Covert Affairs | Christoffer Moe Ditlevsen | D Minor | 2 | 7A | 100 BPM | ||
| Dock Shootout | Tyler Bates, Joel J. Richard | A Major | 9 | 11B | 94 BPM | ||
| Beautiful Abundance | David Stephen Goldsmith, Andrew Michael Britton | A Major | 8 | 11B | 115 BPM | ||
| In the House In a Heartbeat | Metro Exodus, FFM | D Minor | 5 | 7A | 75 BPM |