"Hark! The Herald Angels Sing - Improvisation in E Major - Version for Piano" by Marina Baranova, Felix Mendelssohn had its release date on November 14, 2025. The duration of This song is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Hark! The Herald Angels Sing - Improvisation in E Major - Version for Piano's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "The Star of Mendelssohn". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Germany. Hark! The Herald Angels Sing - Improvisation in E Major - Version for Piano is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Hark! The Herald Angels Sing - Improvisation in E Major - Version for Piano by Marina Baranova, Felix Mendelssohn having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| On the Nature of Daylight (Arr. Mackay) | Jess Gillam, Jess Gillam Ensemble | B♭ Minor | 1 | 3A | 135 BPM | ||
| Recueil de chants, Op. 65: No. 6, Barcarolle | Charles-Valentin Alkan, Bruce Liu | G Minor | 0 | 6A | 70 BPM | ||
| Stay in the Dark | Lambert, Lavinia Meijer | C Minor | 0 | 5A | 54 BPM | ||
| Sheller: La Bavaroise | Alexandre Tharaud | B♭ Minor | 2 | 3A | 133 BPM | ||
| Goldberg, Aria and Variation 31 | Jef Neve | G Major | 2 | 9B | 74 BPM | ||
| Anders Krisár: Letter to Jeanette | Anders Krisár, Roland Pöntinen | F♯ Major | 0 | 2B | 110 BPM | ||
| Ostuni | Melissa Parmenter | A Minor | 1 | 8A | 59 BPM | ||
| Respiro 4 | Olivia Belli | E♭ Minor | 0 | 2A | 69 BPM | ||
| African Sketches: II. Dusk | Nkeiru Okoye, Isabel Dobarro | E♭ Minor | 0 | 2A | 169 BPM | ||
| Becoming Transparent | Marina Baranova | F♯ Major | 2 | 2B | 116 BPM | ||
| Castillo Interior: Adagio | Pēteris Vasks, Kristīne Balanas, Margarita Balanas | D Major | 0 | 10B | 90 BPM | ||
| Enchanted Hills | Marina Baranova | A Major | 1 | 11B | 67 BPM | ||
| Für Alina - Extended Version | Arvo Pärt, Alexander Malter | B Minor | 0 | 10A | 68 BPM | ||
| Hammers (Arr. Knoth for Solo Violin, Piano, Strings & Electronics) | Nils Frahm, Mari Samuelsen, Soyoung Yoon, Christian Badzura, Scoring Berlin, Jonathan Stockhammer | B♭ Major | 1 | 6B | 97 BPM | ||
| Ellis Island | Meredith Monk, Bruce Brubaker, Ursula Oppens | A Minor | 1 | 8A | 134 BPM | ||
| À la manière de Borodine, M. 63 No. 1 | Maurice Ravel, Marina Baranova | G Major | 0 | 9B | 64 BPM | ||
| Aba (For Gil Maestro) | Shai Maestro | C Major | 2 | 8B | 101 BPM | ||
| Sunlit Solitude | Martin Walker | D Minor | 1 | 7A | 118 BPM | ||
| Hymne | Anja Lechner, François Couturier | D Minor | 0 | 7A | 75 BPM | ||
| Don Giovanni Overture | Thomas Enhco | D Major | 1 | 10B | 137 BPM | ||
| Words and Dreams | Viktor Orri Árnason, Álfheiður Erla Guðmundsdóttir | D♭ Major | 0 | 3B | 58 BPM | ||
| Suspirium (Arr. Rimmer) | Jess Gillam, Jess Gillam Ensemble | D♭ Minor | 0 | 12A | 93 BPM | ||
| Couperin, F: Second livre de pièces de clavecin, Sixième ordre: V. Les baricades mistérieuses | François Couperin, David Fray | B♭ Major | 0 | 6B | 75 BPM | ||
| Alkan: 25 Preludes, Op. 31: No. 13, J'étais endormie, mais mon cœur veillait... | Charles-Valentin Alkan, Bertrand Chamayou | F♯ Major | 1 | 2B | 171 BPM | ||
| LULLABY TO ETERNITY / Alice Sara Ott: Lullaby To Eternity (on fragments of W.A. Mozart's "Lacrimosa") | Alice Sara Ott | D Minor | 0 | 7A | 82 BPM |