"Counterplan, Op. 33: Presto" by Mark Fitz-Gerald, Deutsche Staatsphilharmonie Rheinland-Pfalz had its release date on November 10, 2017. The duration of This song is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Counterplan, Op. 33: Presto's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 34 in the song's album "The Gadfly (Original Score)". In this album, this song's track order is #32. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Counterplan, Op. 33: Presto is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Counterplan, Op. 33: Presto by Mark Fitz-Gerald, Deutsche Staatsphilharmonie Rheinland-Pfalz having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Third Concerto for Piano and Orchestra, Op. 50: I. Allegro molto | Dmitry Kabalevsky, Kathryn Stott, Vassily Sinaisky, BBC Philharmonic Orchestra, BBC Philharmonic | G Major | 2 | 9B | 143 BPM | ||
| 4 Ragtime Dances: No. 4, — | Charles Ives, Orchestra New England, James Sinclair | B♭ Major | 4 | 6B | 93 BPM | ||
| Death of Usurer: Adagio | Valery Gergiev, London Symphony Orchestra | C Minor | 0 | 5A | 108 BPM | ||
| Serenade for Strings in E-Flat Major, Op. 6: III. Adagio | Josef Suk, Alexej Svjatlovskij, Igor Makarow, Sergej Belesow, European New Philharmonic Orchestra, Volker Hartung | G Major | 0 | 9B | 73 BPM | ||
| The Tempest, Op. 109: III. Allegretto grazioso | Jean Sibelius, Santtu-Matias Rouvali, Gothenburg Symphony Orchestra | G Major | 3 | 9B | 110 BPM | ||
| Die Dreigroschenoper (Arr. for Orchestra by Max Schonherr): I. Overture - Remastered 2023 | Kurt Weill, Basel Sinfonietta, Mark Fitz-Gerald | D Minor | 1 | 7A | 111 BPM | ||
| Belshazzar's Feast, JS 48: Alla marcia | Jean Sibelius, Turku Philharmonic Orchestra, Leif Segerstam | F Minor | 1 | 4A | 113 BPM | ||
| Aladdin Suite, Op. 34, FS 89: VII. Negro Dance | Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen | B♭ Major | 3 | 6B | 157 BPM | ||
| Clarinet Concertino: II. Toada. Andantino non troppo | Francisco Mignone, Ovanir Buosi, Orquestra Sinfônica do Estado de São Paulo, Giancarlo Guerrero | C Major | 2 | 8B | 144 BPM | ||
| The Gunshot, Op. 24: Workers' Song of Victory. Moderato (Reconstr. by Mark Fitz-Gerald for Choir & Orchestra) | Dmitri Shostakovich, Malmo Opera Chorus, Malmö Opera Orchestra, Mark Fitz-Gerald | A Major | 2 | 11B | 123 BPM | ||
| Carmen: Paso Doble: Brillante | Ernesto Halffter, Radio-Sinfonie-Orchester Frankfurt, Mark Fitz-Gerald | G Major | 2 | 9B | 70 BPM | ||
| Symphony in D Minor, FWV 48 (Remastered): II. Allegretto | César Franck, Pierre Monteux, Chicago Symphony Orchestra | E♭ Minor | 0 | 2A | 72 BPM | ||
| Gayane Suite No. 3: I. The Hunt - Andante | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | D Major | 2 | 10B | 92 BPM | ||
| The Human Comedy, Op. 37: Gavotte & Trio | Dmitri Shostakovich, Malmö Opera Orchestra, Mark Fitz-Gerald | F Minor | 3 | 4A | 123 BPM | ||
| Pictures at an Exhibition (Orch. Ravel): II. Il castello vecchio "The Old Castle" | Modest Mussorgsky, London Symphony Orchestra, Claudio Abbado | A♭ Major | 0 | 4B | 96 BPM | ||
| Prince Igor: Polovtsian Dances (Remastered): No. 17f, Presto | Alexander Borodin, Leonard Bernstein, New York Philharmonic | B♭ Major | 4 | 6B | 106 BPM | ||
| Counterplan, Op. 33: Andante | Mark Fitz-Gerald, Deutsche Staatsphilharmonie Rheinland-Pfalz | A♭ Major | 0 | 4B | 102 BPM | ||
| Roman Festivals: IV. La Befana | Ottorino Respighi, New York Philharmonic, Giuseppe Sinopoli, Johannes Geffert | G Major | 0 | 9B | 127 BPM | ||
| The Crown of India, Op. 66: March of the Mogul Emperors | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B Minor | 4 | 10A | 90 BPM | ||
| Symphony No. 3 in D Minor, WAB 103 (1873 Version): III. Scherzo. Ziemlich schnell – Trio. Gleiches Zeitmaß – Scherzo da capo | Anton Bruckner, Berliner Philharmoniker, Herbert Blomstedt | F Major | 2 | 7B | 136 BPM | ||
| Suite in A Major "American Suite", Op. 98b, B. 190: V. Allegro | Antonín Dvořák, Luzerner Sinfonieorchester, James Gaffigan | A Major | 1 | 11B | 71 BPM | ||
| Callirhoé, suite de ballet: I. Prélude | Cécile Chaminade, Orchestre national de Metz Grand Est, David Reiland | E Major | 1 | 12B | 101 BPM | ||
| Die sieben Todsünden: Prologue - Remastered 2023 | Kurt Weill, Serena Wey, Basel Sinfonietta, Mark Fitz-Gerald | F Minor | 1 | 4A | 122 BPM | ||
| Roussel: Le festin de l'araignée, Op. 17, Pt. 2: XIII. Funérailles de l'Éphémère | Albert Roussel, Jean Martinon, Orchestre National de l'O.R.T.F. | D♭ Major | 2 | 3B | 99 BPM | ||
| Japanese Suite, Op. 33, H. 126: II. Ceremonial Dance | Gustav Holst, Ulster Orchestra, Joann Falletta | C Minor | 3 | 5A | 103 BPM |