On January 1, 1987, the song "Keystone Chaos" was released by Ronald Aspery. The duration of This song is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Keystone Chaos's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Ronald Aspery's "Kpm 1000 Series: Comedy Classics 1" album is number 4 out of 25. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Keystone Chaos's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Keystone Chaos by Ronald Aspery to be Allegro (fast, quick, and bright) because the track has a tempo of 156 BPM, a half-time of 78BPM, and a double-time of 312 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cops On Your Tale | Paul Pritchard | F Minor | 3 | 4A | 129 BPM | ||
| Whistle on the River | The Mercy Brothers | G Major | 6 | 9B | 106 BPM | ||
| Night Stalker | André Charlier, Daniel Diaz | E Major | 5 | 12B | 178 BPM | ||
| There's No Two Ways About It - Rerecorded | Frankie Newton | B♭ Minor | 3 | 3A | 113 BPM | ||
| You're a Fighter | Kyle Dixon & Michael Stein | B♭ Major | 0 | 6B | 67 BPM | ||
| All Hands Forward | Gerald Crossman | G Major | 7 | 9B | 119 BPM | ||
| The Pod Dance | Trevor Jones | D Major | 4 | 10B | 139 BPM | ||
| Stranger Things - Eleven Theme - Upside Down Version | L'Orchestra Cinematique | G Minor | 1 | 6A | 116 BPM | ||
| Penthouse | Greg Kozo | F♯ Major | 6 | 2B | 110 BPM | ||
| I Should Cocoa | David Arnold, Tori Amos | C Major | 5 | 8B | 92 BPM | ||
| Don't Be Lonely | Quarterflash | D♭ Major | 4 | 3B | 126 BPM | ||
| Walsh Gets The Duke - Midnight Run/Soundtrack Version | Danny Elfman | C Major | 1 | 8B | 77 BPM | ||
| Sentinels | Makeup And Vanity Set | E Minor | 5 | 9A | 110 BPM | ||
| Round the Bend | Ronald Aspery | C Major | 7 | 8B | 113 BPM | ||
| Drunks | George Fenton | D Major | 5 | 10B | 104 BPM | ||
| Heart Too Hot To Hold | Jesse Johnson, Stephanie Spruill | C Major | 7 | 8B | 135 BPM | ||
| He'd Have to Get Under - Get Out and Get Under | Maurice Abrahams, Anthony Godwin, Palm Court Theatre Orchestra | E♭ Major | 5 | 5B | 136 BPM | ||
| Touch Of Your Hips | Ronald Aspery | A Minor | 0 | 8A | 140 BPM | ||
| We'll Meet Again | Vera Lynn And Chorus | D Major | 2 | 10B | 91 BPM | ||
| An Ominous Stroll | Kristofer Maddigan | C Major | 1 | 8B | 100 BPM | ||
| Moving in Stereo | The Cars | E Major | 5 | 12B | 116 BPM | ||
| Pink Fizz | Albert Marland | G Major | 5 | 9B | 78 BPM | ||
| The Great Train Heist | Hollywood Trailer Music Orchestra | A Minor | 6 | 8A | 144 BPM | ||
| Steppin' Out | Ronald Aspery | D Minor | 4 | 7A | 75 BPM | ||
| Wrong Boy | David Arnold, Tori Amos | C Major | 5 | 8B | 92 BPM |