Solomon Burke's 'Stepchild' had a release date set for 2002. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 8 out of 11 in Don't Give Up On Me by Solomon Burke. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Stepchild is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Stepchild by Solomon Burke is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Have Mercy | Shemekia Copeland | A♭ Major | 6 | 4B | 110 BPM | ||
| Look On Yonder Wall | Elmore James | A Major | 7 | 11B | 107 BPM | ||
| Trouble In Mind | Nina Simone | C Minor | 4 | 5A | 106 BPM | ||
| A Smile Can't Hide (A Broken Heart) | William Bell | A Major | 4 | 11B | 78 BPM | ||
| Hand It Over | James Hunter | E Minor | 3 | 9A | 125 BPM | ||
| Too Many Hands | Otis Clay | E Major | 5 | 12B | 95 BPM | ||
| Yes You Cheated | Augustine Robinson | C Major | 4 | 8B | 200 BPM | ||
| Found The One | Ben Harper, Charlie Musselwhite | C Major | 7 | 8B | 126 BPM | ||
| Born Under A Bad Sign | Koko Taylor | F♯ Minor | 9 | 11A | 202 BPM | ||
| Million Miles | Bonnie Raitt | D♭ Major | 4 | 3B | 86 BPM | ||
| Can't Stay Away | Don Covay & The Goodtimers | A Major | 7 | 11B | 120 BPM | ||
| Otis Sleeps On | Arthur Conley | B♭ Major | 1 | 6B | 142 BPM | ||
| One More Headache | The Paul Butterfield Blues Band | D Minor | 4 | 7A | 103 BPM | ||
| Hard to Handle | King Floyd | E♭ Major | 7 | 5B | 98 BPM | ||
| Real Love Is Like Hard Time | Robert Finley | B♭ Major | 8 | 6B | 114 BPM | ||
| Light My Fire | Jackie Wilson | D♭ Major | 5 | 3B | 116 BPM | ||
| Skin And Bones | Ann Rabson | A Major | 2 | 11B | 123 BPM | ||
| More And More | Little Milton | B♭ Major | 6 | 6B | 105 BPM | ||
| Midnight Special | Little Richard | C Major | 8 | 8B | 149 BPM | ||
| If You Call | Sharon Jones & The Dap-Kings | E♭ Minor | 4 | 2A | 85 BPM | ||
| Deeply Sorry | Chuck E. Weiss | E Minor | 4 | 9A | 68 BPM | ||
| Knock on Wood | Eddie Floyd | E Major | 3 | 12B | 105 BPM | ||
| Too Close Together | Peter Wolf | G Major | 6 | 9B | 180 BPM | ||
| It Takes A Lot To Laugh, It Takes A Train To Cry | Leon Russell | B♭ Major | 4 | 6B | 108 BPM | ||
| Sam Stone | Swamp Dogg | F Major | 3 | 7B | 146 BPM |