"Chiloé : Trío Para Quena, Contrabajo Y Timbales" by Harry Allouche had its release date on March 29, 2024. With This song being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Harry Allouche's "Los Colonos (Original Motion Picture Soundtrack)" album is number 10 out of 11. On top of that, France appears to be the country where this track was created. Based on our statistics, Chiloé : Trío Para Quena, Contrabajo Y Timbales's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Chiloé : Trío Para Quena, Contrabajo Y Timbales by Harry Allouche to be Allegro (fast, quick, and bright) because the track has a tempo of 141 BPM, a half-time of 70BPM, and a double-time of 282 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Space | Alex Baranowski | D Minor | 2 | 7A | 167 BPM | ||
| Yokai (Version for String Quintet) | JB Dunckel, Cécile Tête, Grégoire Vecchioni, Cyrille Lacrouts, Wei-Yu Chang, Shuichi Okada, Harry Allouche | G Major | 1 | 9B | 87 BPM | ||
| Lumen | Bill Laurance | B♭ Major | 1 | 6B | 69 BPM | ||
| The Cliffs | Chris Roe | D Minor | 2 | 7A | 83 BPM | ||
| Berriedale Burn | Erland Cooper | A♭ Major | 1 | 4B | 70 BPM | ||
| Funeral | Angus MacRae, National Theatre | A♭ Major | 4 | 4B | 67 BPM | ||
| Over There | Hildur Guðnadóttir | C Major | 0 | 8B | 96 BPM | ||
| The Longship | Nick Batterham | B Minor | 2 | 10A | 140 BPM | ||
| Abstractions and Illusions | Steven Gutheinz | G Major | 1 | 9B | 87 BPM | ||
| Aux confins | Gaspar Claus | D Minor | 2 | 7A | 130 BPM | ||
| It's Beautiful, So It Is (Reprise) | Charlie Jefferson | E Major | 1 | 12B | 170 BPM | ||
| Gnossienne No. 1 | Buck McDaniel, Carrie Frey, Sonia Bize | G Major | 1 | 9B | 87 BPM | ||
| Phenomenal Women | Macha Gharibian | C Major | 4 | 8B | 132 BPM | ||
| Leva | Henrik Lindstrand | A Major | 3 | 11B | 128 BPM | ||
| Dolphin (Version for String Quintet) | JB Dunckel, Cécile Tête, Grégoire Vecchioni, Cyrille Lacrouts, Wei-Yu Chang, Shuichi Okada, Harry Allouche | G Major | 1 | 9B | 87 BPM | ||
| L'avenue de l'avenir | Rob | B♭ Minor | 3 | 3A | 100 BPM | ||
| D-Minor | Hania Rani | D Minor | 3 | 7A | 150 BPM | ||
| III {serenade} | Simon Leoza | E♭ Major | 0 | 5B | 86 BPM | ||
| Bergamot | Dalal | E♭ Minor | 1 | 2A | 114 BPM | ||
| The Fruit of Silence (Arr. for Accordion, Vibraphone and String Orchestra by George Morton) | Pēteris Vasks, Ksenija Sidorova, Estonian Festival Orchestra, Paavo Järvi | G Major | 1 | 9B | 87 BPM | ||
| Alberto | Hania Rani | F Minor | 1 | 4A | 60 BPM | ||
| Y Tú Qué Tal | REYN | C Minor | 1 | 5A | 72 BPM | ||
| Dolomites, pale mountains: I. Marmolada | Rachel Portman, LGT Young Soloists, Alexander Gilman | G Major | 0 | 9B | 86 BPM | ||
| Echoes of the Wild | Biggi Hilmars | G Major | 1 | 9B | 87 BPM | ||
| Onzième affaire | O - Olivier Marguerit | G Minor | 1 | 6A | 114 BPM |