Esther Phillips's ' "What a Diff'rence a Day Makes" was released on its scheduled release date, 1975. With this song being around four minutes long, at 4:29, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of What A Diff'rence A Day Makes by Esther Phillips. The song's track number on the album is #2 out of 9 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, What a Diff'rence a Day Makes's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since What a Diff'rence a Day Makes by Esther Phillips has a tempo of 136 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With What a Diff'rence a Day Makes being at 136 BPM, the half-time would be 68 BPM with a double-time of 272 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I'm Lonely For You | Bettye Swann | A Minor | 4 | 8A | 103 BPM | ||
| Rainy Night in Georgia | Brook Benton | E Minor | 3 | 9A | 75 BPM | ||
| A Lover's Question | Clyde McPhatter | C Major | 4 | 8B | 83 BPM | ||
| The Storm (01-16-52) | Esther Phillips | E♭ Minor | 5 | 2A | 66 BPM | ||
| Good Love, Bad Love | Eddie Floyd | A Major | 7 | 11B | 80 BPM | ||
| Since I Fell For You | Fontella Bass | G Major | 3 | 9B | 105 BPM | ||
| Mary Lou | Young Jessie | F Major | 7 | 7B | 84 BPM | ||
| Good To Me | Irma Thomas | A♭ Major | 2 | 4B | 133 BPM | ||
| Fever | Esther Phillips | B♭ Minor | 5 | 3A | 135 BPM | ||
| I'm a Good Woman | Barbara Lynn | D Minor | 3 | 7A | 128 BPM | ||
| Um, Um, Um, Um, Um, Um | Major Lance | B Minor | 4 | 10A | 117 BPM | ||
| Clean up Woman | Betty Wright | F Major | 7 | 7B | 90 BPM | ||
| I'll Run Your Hurt Away | Ruby Johnson | F Major | 3 | 7B | 151 BPM | ||
| Mashed Potato Time | Dee Dee Sharp | D Major | 5 | 10B | 125 BPM | ||
| I've Never Found a Man (To Love Me Like You Do) | Esther Phillips | C Major | 7 | 8B | 115 BPM | ||
| MERCY, MERCY, MERCY | Marlena Shaw | B♭ Major | 5 | 6B | 170 BPM | ||
| If You Need Me | Solomon Burke | A Major | 3 | 11B | 176 BPM | ||
| The Shoop Shoop Song (It's in His Kiss) | Betty Everett | A Major | 5 | 11B | 122 BPM | ||
| Hound Dog - Big Mama Thornton | Marc Shaiman | E♭ Minor | 3 | 2A | 147 BPM | ||
| No Regrets | Little Willie John | B♭ Major | 5 | 6B | 106 BPM | ||
| 'Til My Back Ain't Got No Bone | Esther Phillips | D Major | 3 | 10B | 152 BPM | ||
| Yes We Can, Pt. 1 | Lee Dorsey | D Major | 6 | 10B | 172 BPM | ||
| I Saw Me | Esther Phillips | F♯ Major | 3 | 2B | 73 BPM | ||
| Somebody's Always Trying | Ted Taylor | C Major | 8 | 8B | 129 BPM | ||
| Mr. Big Stuff | Jean Knight | A♭ Major | 5 | 4B | 93 BPM |