Shakila's ' "Kami Ba Man Modara Kon" was released on its scheduled release date, February 1, 2003. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 13 in the song's album "Shakila Live In Concert - Persian Music". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. Based on our statistics, Kami Ba Man Modara Kon's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Kami Ba Man Modara Kon by Shakila having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Golabatoon | Shakila, Art Tawanghar | B♭ Minor | 7 | 3A | 105 BPM | ||
| Safar | Pouya | F Minor | 8 | 4A | 160 BPM | ||
| To ey Pari Kojai | Mohammad Esfahani | G Minor | 3 | 6A | 121 BPM | ||
| Kimia | Alireza Ghorbani | G Minor | 4 | 6A | 85 BPM | ||
| Gharibaneh | Ehsan Khaje Amiri | B♭ Minor | 6 | 3A | 154 BPM | ||
| Jopi Tomay | Rafat, Shakila | A Major | 9 | 11B | 112 BPM | ||
| Baroon | Arian Band | C Major | 6 | 8B | 100 BPM | ||
| Mah gholam-e Rokhe Zibaye To | Sheida Jahed, Masoud Jahed | E Minor | 5 | 9A | 81 BPM | ||
| Rosvaye Zamaneh | Homayoun Khorram, Alireza Ghorbani | D Minor | 5 | 7A | 96 BPM | ||
| Ashegh Shodam Man | Ahdeyeh | E Minor | 3 | 9A | 110 BPM | ||
| Javooni | Farzin | G Major | 6 | 9B | 120 BPM | ||
| Golpooneha | Iraj Bastami | B Minor | 3 | 10A | 142 BPM | ||
| Gham Makhorid | Parvaz Homay | E Minor | 5 | 9A | 140 BPM | ||
| Tanha Maneshin | Delkash | D Minor | 2 | 7A | 133 BPM | ||
| Sanama | Shakila | A♭ Major | 3 | 4B | 116 BPM | ||
| Jam-e Madhooshi (Taraneh Dashti) | Ali Asghar Shahzeydi | G Major | 3 | 9B | 151 BPM | ||
| آرام جان | Salar Aghili, Iraj Khaje Amiri | A Minor | 3 | 8A | 140 BPM | ||
| Hanooz (Rhythmic Version) | Faramarz Aslani | B Minor | 7 | 10A | 118 BPM | ||
| Farda Tou Miayee | Houshmand Aghili | A♭ Minor | 4 | 1A | 91 BPM | ||
| Shoghal | Mohammadreza Mansouri | D♭ Minor | 4 | 12A | 137 BPM | ||
| Bemoon Ta Bemoonam | Arian Band | B Minor | 5 | 10A | 150 BPM | ||
| Nefrin | Hooshmand Aghili | D♭ Major | 4 | 3B | 100 BPM | ||
| Ashofteh Haali | Shakila | G Minor | 5 | 6A | 148 BPM | ||
| Kojaei | Mohammad Motamedi | B♭ Minor | 1 | 3A | 95 BPM | ||
| Raftam Ke Raftam | Art Tawanghar, Shakila, Marzieh | A♭ Minor | 10 | 1A | 138 BPM |