Anais's ' "In Flanders Fields" was released on its scheduled release date, December 26, 2024. This song is about six minutes long, preciously at 5:34, making this song fairly long compared to other songs. The track order of this song in Anais's "In Flanders Fields" album is number 1 out of 4. On top of that, Turks and Caicos Islands appears to be the country where this track was created. In Flanders Fields is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of In Flanders Fields by Anais to be Adagio (slowly with great expression) because the track has a tempo of 69 BPM, a half-time of 34BPM, and a double-time of 138 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ikigai | Aki Ito | F♯ Major | 0 | 2B | 69 BPM | ||
| Softly Through the Pines | Nyla Venn | F Major | 0 | 7B | 66 BPM | ||
| Lockung | Julius Rehm | F♯ Minor | 0 | 11A | 53 BPM | ||
| Before the Puddle Claims the Sky | Julius Rehm | D♭ Major | 0 | 3B | 174 BPM | ||
| Wave | Pixel Melody | A Major | 0 | 11B | 128 BPM | ||
| Any Lifetime | Anais Gaal | G Major | 0 | 9B | 62 BPM | ||
| Unfinished | Olfy | A♭ Minor | 0 | 1A | 114 BPM | ||
| You Who Sleeps in the Daylight Hours | Stray Ghost | A Minor | 2 | 8A | 60 BPM | ||
| Zeit Und Ewigkeit | Julius Rehm | D♭ Major | 0 | 3B | 112 BPM | ||
| The Light that Never Fades | Andrejs Osokins | A♭ Major | 0 | 4B | 72 BPM | ||
| Tranquil Paths | Lyra Finch | E♭ Major | 0 | 5B | 137 BPM | ||
| 雨の中の電話 | Chair House | E♭ Major | 0 | 5B | 69 BPM | ||
| Seminole Wind | Ariel Gross | F Minor | 0 | 4A | 70 BPM | ||
| 夢に見る | VISHUDAN | D Major | 0 | 10B | 67 BPM | ||
| The Mind Is Its Own Place | Joachim Aeschi | D Minor | 0 | 7A | 74 BPM | ||
| Lonely | Libra Moon | E Major | 0 | 12B | 72 BPM | ||
| Inbetween | The Sleepy Pianist | G Minor | 0 | 6A | 62 BPM | ||
| Zen Nights | Jade Ashtangini | A Major | 0 | 11B | 128 BPM | ||
| I Listen Closely to Their Hushed Advice | Louise Frei | E Minor | 0 | 9A | 71 BPM | ||
| Pixel World | Michelle | A Major | 0 | 11B | 128 BPM | ||
| On and On | Friedrich La Marck | N/A | N/A | N/A | 0 BPM | ||
| 潛意識的夢 | 傾聽心靈音樂 | D♭ Major | 0 | 3B | 139 BPM | ||
| Miers | Eduards Ozoliņš | G Minor | 0 | 6A | 69 BPM | ||
| Where the Wild Ferns Sleep | Elizabeth Baden-Powell | G Minor | 0 | 6A | 73 BPM | ||
| We’ve Been Getting Along Since the Moment | Alexander Byron | B♭ Minor | 0 | 3A | 65 BPM |