On January 1, 2014, the song "Rama Rama Chilkama" was released by Pami, Pankaj. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 8 in the song's album "Rama Rama Chilkama". In this album, this song's track order is #1. Furthermore, we believe that the track originated from India. Based on our statistics, Rama Rama Chilkama's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Rama Rama Chilkama by Pami, Pankaj having a BPM of 152 with a half-time of 76 BPM and a double-time of 304 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pahad Hai Ta | Aman, Pami | A♭ Minor | 9 | 1A | 152 BPM | ||
| Chal Kariba Thia Pala | Satyajit Pradhan | A♭ Major | 9 | 4B | 146 BPM | ||
| Jai Phula | Gobinda Chandra, Pami | B♭ Minor | 7 | 3A | 120 BPM | ||
| Mandala Bajila | Rabiratan Bag, Pami | B Major | 9 | 1B | 125 BPM | ||
| Tori Pain Lekhichi Mu Gitatiye | Udit Narayan | G Minor | 10 | 6A | 85 BPM | ||
| Tena Pati lap lap | Pami, Santanu Sahu | F Minor | 9 | 4A | 180 BPM | ||
| Rajani Gandhare | Gobinda, Pami | F Minor | 9 | 4A | 141 BPM | ||
| Chalu Chalu Mun | BISHNU MOHAN KABI | A♭ Major | 8 | 4B | 66 BPM | ||
| Bolo Saiyan He Sala | Pami, Goodly Ratha | D♭ Major | 10 | 3B | 112 BPM | ||
| Chal Ame Pakha Pakhi | Diptirekha Padhi, Ashutosh Mohanty | B♭ Minor | 9 | 3A | 105 BPM | ||
| Mun Aashique Mun Awara | Vinod Rathod | A Major | 9 | 11B | 132 BPM | ||
| Chehera Ru Laga | Aravinda Dutta, Pammi | D Major | 9 | 10B | 95 BPM | ||
| Barsha Ho Barsha | Ira Mohanty, T. Souri | G Major | 8 | 9B | 87 BPM | ||
| Gud Boy | Vinod Rathod | A♭ Minor | 7 | 1A | 104 BPM | ||
| Sara Rati Nida Bhuli | Kumar Bapi, Sailabhama | A♭ Major | 8 | 4B | 100 BPM | ||
| Chahal Kala Chatty | Prakash, Sashirekha | B♭ Minor | 9 | 3A | 106 BPM | ||
| A Aa | Santanu Sahu, Pami | F Minor | 9 | 4A | 148 BPM | ||
| Tu Mo Hasa Tu Mo Khusi | Swayam Padhi, Ira Mohanty | B♭ Major | 8 | 6B | 104 BPM | ||
| Tara Krushnachuda Rangara Nali Odhani | Babul Supriyo, Manasi Panigrahi | B♭ Minor | 8 | 3A | 128 BPM | ||
| Mo Akhi | Kumar Bapi, Pami | E Minor | 8 | 9A | 135 BPM | ||
| Pipal Patar Chaka Chaka | KrushnaMukhi, Pami | F♯ Minor | 9 | 11A | 153 BPM | ||
| Sholati Phaguna | Subhasish Mahakud | C Minor | 7 | 5A | 121 BPM | ||
| Mui Tor Diwana | UMAKANT BARIK, Amrita Nayak | A♭ Minor | 8 | 1A | 115 BPM | ||
| Tor Anta Lidibidi | Ipsita Sahu, Ruku Suna | A♭ Major | 9 | 4B | 85 BPM | ||
| Prathama Dekharu | Binod Rathod, Nibedita | D♭ Minor | 10 | 12A | 103 BPM |