Count Basie's ' "Bootsie" was released on its scheduled release date, January 1, 1952. The duration of This song is about 3 minutes long, at 3:20. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 12 in the song's album "The Count". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. The popularity of Bootsie is currently not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Bootsie by Count Basie having a BPM of 174 with a half-time of 87 BPM and a double-time of 348 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I’m Beginning To See The Light | Harry James | B♭ Major | 6 | 6B | 200 BPM | ||
| You Always Hurt The One You Love - 1958 version | The Mills Brothers | G Minor | 1 | 6A | 139 BPM | ||
| Freckle Face | Count Basie | C Major | 1 | 8B | 108 BPM | ||
| Hey There | Sammy Davis Jr. | F Major | 2 | 7B | 135 BPM | ||
| Fever | Peggy Lee | E Minor | 2 | 9A | 136 BPM | ||
| You've Got That Thing | Bobby Short | B♭ Major | 4 | 6B | 151 BPM | ||
| April In Paris | Count Basie | E Minor | 4 | 9A | 125 BPM | ||
| Say It Isn't So | Teddy Wilson | F Major | 3 | 7B | 102 BPM | ||
| Ain't Missbehavin' | Fats Waller | C Minor | 3 | 5A | 98 BPM | ||
| So What (feat. John Coltrane, Cannonball Adderley & Bill Evans) | Miles Davis, John Coltrane, Cannonball Adderley, Bill Evans | F Major | 7 | 7B | 85 BPM | ||
| We Open in Venice | The Rat Pack | G Minor | 6 | 6A | 115 BPM | ||
| I've Heard That Song Before | Harry James | F Major | 4 | 7B | 126 BPM | ||
| Mack the Knife | Bobby Darin | E♭ Minor | 5 | 2A | 83 BPM | ||
| Boogie Woogie Bugle Boy | The Andrews Sisters | G Major | 5 | 9B | 167 BPM | ||
| With Plenty Of Money And You | Tony Bennett, Count Basie | F Minor | 8 | 4A | 132 BPM | ||
| Come Fly With Me - Remastered 1998 | Frank Sinatra | F♯ Major | 3 | 2B | 67 BPM | ||
| Monday Again | Nat King Cole Trio | D Minor | 0 | 7A | 68 BPM | ||
| It Had to Be You | Jo Stafford | D♭ Major | 1 | 3B | 120 BPM | ||
| As Long As I'm In Your Arms | Dinah Washington | G Major | 5 | 9B | 124 BPM | ||
| Sing, Sing, Sing | Benny Goodman | D Minor | 7 | 7A | 113 BPM | ||
| St. Thomas | Sonny Rollins | G Major | 4 | 9B | 111 BPM | ||
| More - Remastered 2004 | Bobby Darin | F Minor | 5 | 4A | 152 BPM | ||
| The Kid from Red Bank | Count Basie | C Major | 6 | 8B | 139 BPM | ||
| Ladyfingers | Herb Alpert & The Tijuana Brass | A♭ Major | 3 | 4B | 86 BPM | ||
| Moanin' | Mingus Big Band | A♭ Major | 7 | 4B | 116 BPM |