"Chasing the Last Cadence" by John Spence had its release date on January 23, 2022. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in John Spence's "Illicit Rhythms" album is number 2 out of 9. In terms of popularity, Chasing the Last Cadence is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Chasing the Last Cadence by John Spence to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Always Dreaming | Caleb Etheridge | D Minor | 1 | 7A | 120 BPM | ||
| Don't Talk About the Boat | Atli Örvarsson | E Minor | 0 | 9A | 150 BPM | ||
| They Were Starting to Like Me | David Hirschfelder | G Minor | 1 | 6A | 115 BPM | ||
| Hymn to 89th Constellation | John Spence, Emma Knott, David Miller | C Major | 1 | 8B | 80 BPM | ||
| Out of Focus | Dan Romer, Saul Simon MacWilliams | A Minor | 1 | 8A | 133 BPM | ||
| I Don't Need Saving | Blake Neely | D Minor | 2 | 7A | 108 BPM | ||
| Flying Away | Caleb Etheridge | F Minor | 2 | 4A | 120 BPM | ||
| Flowers (New Zealand) | Mahuia Bridgman-Cooper | A Minor | 2 | 8A | 120 BPM | ||
| From Paris to the Aquaduct | Peter Gregson | A♭ Major | 0 | 4B | 65 BPM | ||
| Mother’s Run | Craig Armstrong | D♭ Minor | 6 | 12A | 176 BPM | ||
| Where Have You Gone | Christoffer Franzen | A Minor | 3 | 8A | 140 BPM | ||
| Remnants Of Snow | Songs To Your Eyes, Roland Bingaman | E Minor | 4 | 9A | 82 BPM | ||
| Rae | Kevin Graham | G Minor | 1 | 6A | 120 BPM | ||
| Into the Water | John Spence | A Minor | 5 | 8A | 105 BPM | ||
| Sunbeam | Jordan Gagne | F♯ Major | 2 | 2B | 77 BPM | ||
| Hit Of Love | John Spence | E♭ Major | 5 | 5B | 86 BPM | ||
| Chagall | Brique a Braq | C Major | 2 | 8B | 122 BPM | ||
| Tanzen One | Saintx | G Minor | 5 | 6A | 124 BPM | ||
| King's Cross | Amelia Warner | D Minor | 3 | 7A | 109 BPM | ||
| The Harness | Timothy Williams, Kieran Kiely | C Major | 3 | 8B | 127 BPM | ||
| Blaze | Airplanes | D Major | 5 | 10B | 112 BPM | ||
| Birds of Eden | David Celeste | C Major | 0 | 8B | 64 BPM | ||
| We Carry On | Yonder Dale | B Major | 2 | 1B | 76 BPM | ||
| Wonders | Gavin Luke | F Major | 2 | 7B | 101 BPM | ||
| A Child's Imagination | Keith Merrill | A♭ Major | 3 | 4B | 150 BPM |