"Guilty Verdict" by Elmer Bernstein had its release date on July 28, 1997. The duration of This song is about 3 minutes long, at 3:10. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 14 in the song's album "To Kill A Mockingbird (Original Motion Picture Score)". In this album, this song's track order is #9. Guilty Verdict is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Guilty Verdict by Elmer Bernstein having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Main Title - From Rio Grande, 1950 | John Wayne, Victor Young | A♭ Major | 6 | 4B | 106 BPM | ||
| Bridge Over the River Kwai | Frank Chacksfield Orchestra | F Major | 5 | 7B | 106 BPM | ||
| End Title | Elmer Bernstein | A Major | 1 | 11B | 88 BPM | ||
| Theme From "2001: A Space Odyssey" | Richard Strauss, Orlando Pops Orchestra | C Major | 3 | 8B | 117 BPM | ||
| Long Live Sacred Germany | John Ottman | A Minor | 0 | 8A | 171 BPM | ||
| Pep Talk | Marc Shaiman | A Minor | 0 | 8A | 77 BPM | ||
| Flight to Neverland (From "Hook") | John Williams, Boston Pops Orchestra | C Major | 3 | 8B | 82 BPM | ||
| Estrategia | Armonias | C Major | 1 | 8B | 140 BPM | ||
| Flying Messenger | Oliver Armstrong | D Minor | 0 | 7A | 144 BPM | ||
| Battle Of Britain March | Ron Goodwin, Central Band Of The Royal Air Force | E♭ Major | 6 | 5B | 112 BPM | ||
| The March From "Stripes" | Elmer Bernstein | F Major | 6 | 7B | 112 BPM | ||
| Overture - Star Trek VI/Soundtrack Version | Cliff Eidelman | E Minor | 3 | 9A | 133 BPM | ||
| Alejarse | Armonias | C Major | 2 | 8B | 117 BPM | ||
| Anno Domini | Miklós Rózsa | F Minor | 1 | 4A | 119 BPM | ||
| Theme And Chase - From "Wallace and Gromit" | Julian Nott, Royal Philharmonic Orchestra;Tolga Kashif | F Major | 5 | 7B | 131 BPM | ||
| Thunderbirds - Main Theme (Main Theme) | Barry Gray | G Major | 1 | 9B | 129 BPM | ||
| We Shall Fight | Dario Marianelli, Víkingur Ólafsson | D♭ Major | 2 | 3B | 106 BPM | ||
| Opening Titles - From How the West Was Won 1962 | Alfred Newman | D Major | 7 | 10B | 120 BPM | ||
| ララのテーマ / Lara's Theme (映画「ドクトル・ジバゴ」より) | Orlando Pops Orchestra | F Minor | 6 | 4A | 168 BPM | ||
| Flying from "E.T. The Extra-Terrestrial" | John Williams, Boston Pops Orchestra | C Major | 2 | 8B | 80 BPM | ||
| Leaving For Philadelphia | Rob Lane | D Minor | 4 | 7A | 87 BPM | ||
| 633 Squadron: Main Theme | Ron Goodwin, Rumon Gamba, BBC Philharmonic Orchestra | F Major | 7 | 7B | 118 BPM | ||
| Lara Says Goodbye to Yuri (Lara's Theme) | Maurice Jarre | G Major | 2 | 9B | 90 BPM | ||
| The Entertainer - The Sting/Soundtrack Version/Orchestra Version | Marvin Hamlisch | C Major | 4 | 8B | 157 BPM | ||
| Overture (Main Title) | Bernard Herrmann | F Major | 5 | 7B | 95 BPM |