"Pavana" by Isaac Albéniz, David Russell had its release date on January 1, 2011. With this song being around four minutes long, at 4:29, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Isaac Albéniz, David Russell's "Isaac Albéniz: Spanish Music For Classical Guitar" album is number 12 out of 15. On top of that, United States appears to be the country where this track was created. In terms of popularity, Pavana is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pavana by Isaac Albéniz, David Russell to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 25 Etudes, Op.60: No.13 | Matteo Carcassi, Paco Hallak | A Major | 2 | 11B | 84 BPM | ||
| 3 Songs, Op. 7: I. Après un rêve (Version for Violin and Piano) | Gabriel Fauré, María Dueñas, Itamar Golan | D Major | 1 | 10B | 87 BPM | ||
| Capricho arabe | Francisco Tárrega, Ana Vidović | D Major | 1 | 10B | 85 BPM | ||
| Sonate en ré mineur, K. 1: Allegro | Domenico Scarlatti, Thibault Cauvin | D Minor | 2 | 7A | 183 BPM | ||
| Suite del Plata, No. 1: Tango | Maximo Diego Pujol, Victor Villadangos | C Major | 0 | 8B | 80 BPM | ||
| Fantasy for Guitar Op. 107: III. Arietta 1 | Malcolm Arnold, Sean Shibe | D Major | 0 | 10B | 109 BPM | ||
| Prelude in D Minor, BWV 999 | Julian Bream | A Minor | 2 | 8A | 88 BPM | ||
| The Lark Ascending: I. Andante sostenuto | Ralph Vaughan Williams, Hyeyoon Park, Benjamin Grosvenor | E Minor | 0 | 9A | 91 BPM | ||
| Bolero in A Minor | Julian Arcas, Andrea González Caballero | A Minor | 0 | 8A | 83 BPM | ||
| Un dia de Noviembre | Leo Brouwer, Ricardo Cobo | A Minor | 0 | 8A | 134 BPM | ||
| An Improvisation to Wish You Farewell | Gerard Cousins | B Minor | 1 | 10A | 93 BPM | ||
| Forgotten: Impromptu | Catharina Josepha Pratten, Alexandra Whittingham | D Minor | 5 | 7A | 152 BPM | ||
| Torre Bermeja | Isaac Albéniz, David Russell | E Minor | 2 | 9A | 100 BPM | ||
| Bartók / Transc Cáceres: Romanian Folk Dances, Sz. 56: No. 3, Pe loc | Béla Bartók, Turibio Santos, Oscar Caceres | C Major | 1 | 8B | 75 BPM | ||
| Sonata No. 2 in A Minor, Op. 27 No. 2: I. Obsession (Arr. For Mandolin by Alon Sariel) | Eugène Ysaÿe, Alon Sariel | G Minor | 5 | 6A | 99 BPM | ||
| Five Bagatelles No. 3: Alla Cubana | William Walton, Sergio Santes | B Minor | 1 | 10A | 125 BPM | ||
| Homenaje a Toulouse-Lautrec | Eduardo Sainz De La Maza, Sven Lundestad | B Minor | 1 | 10A | 82 BPM | ||
| Brimborion, Op. 11: Romance sans paroles | Jaime Bosch, Alexandra Whittingham | A Minor | 0 | 8A | 128 BPM | ||
| Zapateado | Joaquín Rodrigo, Simon Dinnigan | B Minor | 2 | 10A | 102 BPM | ||
| Fantasía para un Gentilhombre: IV. Canario | Joaquín Rodrigo, Julian Bream, Leo Brouwer, RCA Victor Chamber Orchestra | D Major | 3 | 10B | 141 BPM | ||
| Schwanengesang, D. 957: No. 4, Ständchen (Transcr. for Cello and Piano) | Franz Schubert, Kian Soltani, Aaron Pilsan | D Minor | 0 | 7A | 72 BPM | ||
| Danse macabre, Op. 40 (Arr. Kossler for 2 Guitars) | Camille Saint-Saëns, Alexandra Whittingham, Stephanie Jones | G Minor | 3 | 6A | 89 BPM | ||
| Koyunbaba, Op. 19: I. Moderato | Carlo Domeniconi, Celil Refik Kaya | E♭ Minor | 0 | 2A | 80 BPM | ||
| Minueto Maestoso No. 3 in D Minor | Pedro Ximénez Abril y Tirado, Christopher Avilez | E Major | 1 | 12B | 129 BPM | ||
| Suite del Plata, No. 1: Preludio | Maximo Diego Pujol, Victor Villadangos | D Minor | 0 | 7A | 107 BPM |