Max Anson's 'Getting to It' had a release date set for January 24, 2014. With This song being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 6 out of 23 in Defuse by Max Anson. Getting to It is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Getting to It by Max Anson is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Question Mark | Dream Cave | G Major | 3 | 9B | 119 BPM | ||
| Desert Fighter | Max Anson | A Major | 6 | 11B | 132 BPM | ||
| Secret Light | Max Anson | B♭ Major | 2 | 6B | 112 BPM | ||
| Cloud Tyrant | Saira Ridley | C Major | 3 | 8B | 108 BPM | ||
| Red Driver | Ben Elson | D Minor | 3 | 7A | 160 BPM | ||
| Forward Motion | Solis | D Minor | 3 | 7A | 145 BPM | ||
| Muscle Car | Evgeny Bardyuzha | F Major | 9 | 7B | 100 BPM | ||
| Hero - Instrumental Version | Tiko Tiko | C Major | 9 | 8B | 120 BPM | ||
| Twilight Road (from "Real Murders of Atlanta") | Chris Wirsig | F♯ Major | 4 | 2B | 125 BPM | ||
| Pulse Pressure | Max Anson | E Major | 3 | 12B | 82 BPM | ||
| Secret Pulse of Stars | Radha La Musa | D♭ Major | 2 | 3B | 138 BPM | ||
| End of Luck | Max Anson | E♭ Minor | 1 | 2A | 114 BPM | ||
| The Signal | Wojciech Golczewski | G Major | 0 | 9B | 151 BPM | ||
| Frameshift & Starports: Frameshift Suite - First Movement - Andromeda | Erasmus Talbot | D Minor | 2 | 7A | 92 BPM | ||
| Cyborg Chase Part Two | BORDER 242 | D Major | 3 | 10B | 122 BPM | ||
| Tomorrow Is Another Day | Jo Wandrini | A♭ Major | 2 | 4B | 118 BPM | ||
| IXION | Guillaume David | E♭ Major | 3 | 5B | 119 BPM | ||
| The Son of Zeus | Sons Of Hades | F♯ Minor | 6 | 11A | 100 BPM | ||
| Feeling New | Max Anson | E Major | 3 | 12B | 147 BPM | ||
| Animals | Dj Bryan Alma07 | A Minor | 1 | 8A | 123 BPM | ||
| Breaking Stride | BORDER 242 | D♭ Major | 5 | 3B | 120 BPM | ||
| The Revenge | Oh the City | D Major | 9 | 10B | 109 BPM | ||
| Where Does It End | Max Anson | B Major | 3 | 1B | 87 BPM | ||
| Rite of Passage (Main Theme) | Arkana, Samuel J Finn | B♭ Minor | 5 | 3A | 90 BPM | ||
| Otherworld | Lama House | A♭ Major | 3 | 4B | 115 BPM |