"Ghosted" by Caedmon had its release date on July 5, 2019. The duration of This song is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Ghosted's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "Taped Shut". In this album, this song's track order is #2. Based on our statistics, Ghosted's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Ghosted by Caedmon having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| O Ignis Spiritus | Rosa Lamoreaux | C Major | 0 | 8B | 75 BPM | ||
| Ricercar Ottavo | Giulio Segni Da Modena, Jacob Heringman | D Major | 0 | 10B | 120 BPM | ||
| The Seas Are Deep | Turlough O'Carolan, Ronn McFarlane | F Major | 1 | 7B | 170 BPM | ||
| Sixteenth Century French Dances: L'Homme Arme | Michael Praetorius, Calliope - A Renaissance Band | A Major | 1 | 11B | 138 BPM | ||
| Suite in E Minor: II. Courante | Marin Marais, Les Musiciens De Saint-Julien, François Lazarevitch | F Minor | 2 | 4A | 133 BPM | ||
| Recercar | Francesco Spinacino, Christopher Wilson | B♭ Major | 0 | 6B | 76 BPM | ||
| Dou way Robin / Sancta mater gracie | Traditional, Ensemble belladonna, Susanne Ansorg, Miriam Andersén | C Major | 1 | 8B | 112 BPM | ||
| Viderunt omnes: ...Salutare suum ante conspectum gentium revelavit... | Pérotin, Tonus Peregrinus, Antony Pitts | D♭ Major | 3 | 3B | 80 BPM | ||
| Pasacalles de cuarto tono, WSC 102 - Version for Consort of 4 Viols and Harp | Juan Cabanilles, Philippe Pierlot, Myriam Rignol, Anna Lachegyi, Lucile Boulanger, Giovanna Pessi | A♭ Minor | 1 | 1A | 91 BPM | ||
| Vespro della Beata Vergine, SV 206: Fecit potentiam | Claudio Monteverdi, Raphael Pichon, Ensemble Pygmalion, Lucile Richardot | F Major | 2 | 7B | 141 BPM | ||
| Perceval la quete du Graal: Au Chateau D'Arthur (At Arthur's Castle): Vallet, si tu vis sans age [a Young Maid] | Sylvain Bergeron, Daniel Taylor, Claire Gignac, Viviane LeBlanc, Catherine Herrmann, Rafik Samman, Nicolas Lemieux, La Nef | E Minor | 0 | 9A | 186 BPM | ||
| Symphonia armonie celestium revelationum (Excerpts): No. 3, O quam mirabilis est (1) | Hildegard von Bingen, Augsburg Early Music Ensemble | F Minor | 0 | 4A | 131 BPM | ||
| Tarantela por primer tono | Juan de Araujo, Ensemble Villancico, Peter Pontvik | F♯ Major | 2 | 2B | 72 BPM | ||
| Alle Psallit, Alleluja | École de Notre-Dame, La Camerata de Paris | A Minor | 0 | 8A | 96 BPM | ||
| Introit: Puer natus est | Currentes | A♭ Major | 0 | 4B | 129 BPM | ||
| In Nomine No. 14, 'Reporte' | Christopher Tye, The Rose Consort Of Viols | D♭ Minor | 0 | 12A | 86 BPM | ||
| Nightheat | Caedmon | G Major | 5 | 9B | 125 BPM | ||
| De lamentatione Jeremiae prophetae, T. 171 "Lamentations": I. De lamentatione Jeremiae prophetae | William Byrd, The Gesualdo Six, Owain Park | D♭ Minor | 1 | 12A | 134 BPM | ||
| Canzona trigesima quinta "detta l’Alessandrina" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | D Minor | 1 | 7A | 64 BPM | ||
| Lute Sonata No. 11 in D Minor: V. Sarabande | Silvius Leopold Weiss, Robert Barto | D♭ Minor | 0 | 12A | 120 BPM | ||
| Danza alta | Francesco de la Torre, Accentus Ensemble, Thomas Wimmer | A Minor | 1 | 8A | 140 BPM | ||
| I Weep And Sob | The Sirin Choir, Choirmaster: Andrey Kotov | A♭ Major | 1 | 4B | 139 BPM | ||
| Without You I Would Not Be | Caedmon | E♭ Minor | 6 | 2A | 150 BPM | ||
| Satan's Favorite Faggot | Caedmon | F Minor | 5 | 4A | 120 BPM | ||
| Cantigas de Santa Maria, No. 60: Entre Av'e Eva | Alfonso X El Sabio, Esther Lamandier | F Major | 1 | 7B | 84 BPM |