"青春の歌" by 湯山昭, 湘南市民コール, 大久保洋子 had its release date on September 23, 1998. The duration of This song is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. 青春の歌's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 日本合唱曲全集/湯山 昭 作品集1, so we believe that "青春の歌" is a single. 青春の歌 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 青春の歌 by 湯山昭, 湘南市民コール, 大久保洋子 is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 抒情小曲集 夜想曲 作品54の4 | エドヴァルド・グリーグ, イリーナ・メジューエワ | C Major | 0 | 8B | 140 BPM | ||
| Valse Arabesque, Op. 98 No. 4 | Cécile Chaminade, Eric Parkin | D♭ Major | 1 | 3B | 67 BPM | ||
| 25の練習曲作品100 第1曲 素直な心 | Franz Burgmüller, Rintaro Akamatsu | C Major | 0 | 8B | 68 BPM | ||
| Contes bleus, No. 2 Op. 122 | Cécile Chaminade, Eric Parkin | E♭ Major | 1 | 5B | 110 BPM | ||
| ニュー・シネマ・パラダイス〜成長〜愛のテーマ <ニュー・シネマ・パラダイス> | 及川浩治 | B♭ Major | 1 | 6B | 70 BPM | ||
| 2つのメロディ, Op.3: 第1曲 へ調のメロディ | Anton Grigorievich Rubinshtein, Masako Ezaki | F Major | 1 | 7B | 91 BPM | ||
| 25:貴婦人の乗馬(ブルグミュラー:25の練習曲 作品100) | 伊奈和子 | G Major | 3 | 9B | 119 BPM | ||
| Improvisation No. 1 | Gabriela Montero | C Major | 1 | 8B | 120 BPM | ||
| Preludes, Op.31 (2003 - Remaster): No.13 (Cantique des cantiques) | Charles-Valentin Alkan, Ronald Smith | B♭ Minor | 0 | 3A | 88 BPM | ||
| ピアノ・ソナタ 第2番 変ロ短調 Op.35 「葬送」~第3楽章 葬送行進曲 | セルジオ・ティエンポ | D♭ Major | 0 | 3B | 103 BPM | ||
| 愛の夢 | Fujiko Hemming | A♭ Major | 1 | 4B | 73 BPM | ||
| エチュード 第3番 ホ長調 《別れの曲》作品10-3 | Fujiko Hemming | E Major | 2 | 12B | 72 BPM | ||
| ショートケーキ | 湯山昭, Haruko Ueda | A Major | 1 | 11B | 81 BPM | ||
| Haurren Irudiak: I. Oxiña | Beatriz Arzamendi, Noemí Teruel Serrano | E♭ Major | 0 | 5B | 73 BPM | ||
| Trois mélodies, Op. 7: I. Après un rêve | Katya Kramer-Lapin | A Minor | 1 | 8A | 86 BPM | ||
| I. Moderato quasi marcia | Antonín Dvořák, Peter Breiner | D Minor | 1 | 7A | 98 BPM | ||
| ジュ・トゥ・ヴ (好きよ) | Erik Satie, Yuji Takahashi | C Major | 1 | 8B | 70 BPM | ||
| 6 Lieder Ohne Worte, Op. 18 in E-Dur: II. Bewegt Und Sehr Gebunden | Delphine von Schauroth, Arcadie Triboi | F♯ Major | 1 | 2B | 105 BPM | ||
| Chanson (Melodie) - Duo-Art 66406 | Rudolf Friml, Peter Phillips, Robert Armbruster | A Minor | 2 | 8A | 125 BPM | ||
| Elegia | Aldo Melli, Carlo Balzaretti | A Major | 1 | 11B | 133 BPM | ||
| Notturno, H. 337 | Fanny Mendelssohn, Pierpaola Porqueddu | G Minor | 1 | 6A | 76 BPM | ||
| Faschingsschwank Aus Wien, Op. 26: I. Allegro. Sehr lebhaft | Robert Schumann, Nikolai Lugansky | F♯ Minor | 1 | 11A | 69 BPM | ||
| ブルクミュラー25の練習曲: 25. 乗馬 | Burgmuller, 神野明 | C Major | 2 | 8B | 134 BPM | ||
| いいことがありそう! | 湯山昭, Haruko Ueda | A♭ Major | 1 | 4B | 109 BPM | ||
| Gai printemps, Op. 11 | Mel Bonis, Nareh Arghamanyan | F♯ Minor | 1 | 11A | 69 BPM |