"Aftermath" by Jed Palmer had its release date on June 1, 2018. The duration of This song is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Aftermath's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Upgrade (Original Motion Picture Soundtrack)". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. Aftermath is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Aftermath by Jed Palmer having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Hospital, Pt. 3 | Jed Palmer | F♯ Minor | 1 | 11A | 67 BPM | ||
| "We're Not Programs, GERTY, We're People" | Clint Mansell | C Major | 1 | 8B | 62 BPM | ||
| Flight to LAPD | Hans Zimmer, Benjamin Wallfisch | D♭ Major | 4 | 3B | 180 BPM | ||
| Les outrages des hommes | Etienne Forget | G Minor | 1 | 6A | 72 BPM | ||
| The Night Has Ears | Sarah Schachner | D Major | 1 | 10B | 69 BPM | ||
| Cobolt | Benjamin Wallfisch | D♭ Major | 2 | 3B | 62 BPM | ||
| Serk | Jed Palmer | B♭ Minor | 8 | 3A | 100 BPM | ||
| Reaching For Mars | Will Bates | C Minor | 1 | 5A | 88 BPM | ||
| PAWO | Lorn | F Major | 2 | 7B | 119 BPM | ||
| The Burning | Mark Bradshaw | A♭ Major | 5 | 4B | 91 BPM | ||
| All Is Red | Etienne Forget | D♭ Major | 3 | 3B | 68 BPM | ||
| Lighthouse Chamber | Ben Salisbury, Geoff Barrow | B Minor | 1 | 10A | 127 BPM | ||
| O (Murky Mix) | John Murphy | D Minor | 1 | 7A | 120 BPM | ||
| There's Gonna Be A Parade! | Paul Leonard-Morgan | F Major | 3 | 7B | 130 BPM | ||
| A Blinding Flame | The Forever Winter | D♭ Minor | 4 | 12A | 100 BPM | ||
| The Citadel | Atrium Carceri | G Minor | 1 | 6A | 96 BPM | ||
| Silk Drape | Jason Hill | D♭ Major | 0 | 3B | 130 BPM | ||
| Harpoon | Rob Simonsen | F Minor | 2 | 4A | 131 BPM | ||
| Masking Tape | Jason Hill | F Minor | 4 | 4A | 76 BPM | ||
| Home | Michael McCann | G Major | 1 | 9B | 82 BPM | ||
| I Don't Want To Die | Ryan Amon | C Minor | 1 | 5A | 136 BPM | ||
| There and Back Again | Michael McCann | A Minor | 4 | 8A | 120 BPM | ||
| Edge of Space | Michael McCann | D Major | 5 | 10B | 140 BPM | ||
| Checkmate | West Dylan Thordson | D Major | 2 | 10B | 80 BPM | ||
| Coming Home | Jason Hill | C Major | 1 | 8B | 80 BPM |