Boris Blacher, David Gier, Shari Rhoads, David Greenhoe, Mark Weiger, Jeffrey Agrell, John Manning's ' "Divertimento: III" was released on its scheduled release date, January 1, 2007. With This song being less than two minutes long, at 1:02, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 13 in the song's album "Toot Toot". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. Divertimento: III is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Divertimento: III by Boris Blacher, David Gier, Shari Rhoads, David Greenhoe, Mark Weiger, Jeffrey Agrell, John Manning having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sibelius: Symphony No. 6 in D Minor, Op. 104: III. Poco vivace | Jean Sibelius, Herbert von Karajan, Berliner Philharmoniker | F Major | 1 | 7B | 83 BPM | ||
| Klokkeklang, Op. 54, No. 6 | Edvard Grieg, WDR Sinfonieorchester Köln, Eivind Aadland | C Major | 0 | 8B | 131 BPM | ||
| Romeo and Juliet, Op. 64, Act I: No. 13, Dance of the Knights | Sergei Prokofiev, Los Angeles Philharmonic, Gustavo Dudamel | F Major | 1 | 7B | 83 BPM | ||
| 5 Bagatelles, Op. 23: No. 2, Romance | Gerald Finzi, Anastasia Schmidlin, Denis Zhdanov | F Major | 1 | 7B | 83 BPM | ||
| When I Find Peace of Mind | Shiro SAGISU, Raphaela Gromes, NDR Radiophilharmonie, Michael England | F Major | 1 | 7B | 83 BPM | ||
| Raymonda, Act I: Scene 1. 1er Tableau (Lento maestoso) | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | E♭ Major | 1 | 5B | 81 BPM | ||
| Honegger : Symphony No.1 in C major : II Adagio | Arthur Honegger, Charles Dutoit, Bavarian Radio Symphony Orchestra | B Major | 0 | 1B | 78 BPM | ||
| Schoenberg: Suite in the Old Style for String Orchestra: II. Adagio | Arnold Schoenberg, Mario Venzago, Deutsche Kammerphilharmonie Bremen | G Major | 1 | 9B | 101 BPM | ||
| Falla: El sombrero de tres picos, Pt. 2: Danza final | Manuel de Falla, Sir Neville Marriner, Academy of St. Martin in the Fields | F Major | 1 | 7B | 83 BPM | ||
| Bronze Horseman Suite: IIb. Parasha. Andantino | Reinhold Glière, Sir Edward Downes, BBC Philharmonic | G Minor | 0 | 6A | 86 BPM | ||
| Variations on a theme by Haydn, Op. 56a "St. Anthony Variations": Finale | Johannes Brahms, Pittsburgh Symphony Orchestra, Marek Janowski | C Major | 1 | 8B | 60 BPM | ||
| Serenade for String Orchestra in C Minor, Op. posth.: VI. Andante sostenuto | Max Bruch, George Hanson, Sinfonieorchester Wuppertal | E♭ Major | 0 | 5B | 87 BPM | ||
| Pulcinella Suite: VI. Gavotta con due Variazioni - Live | Igor Stravinsky, New York Philharmonic, Kurt Masur | D Major | 0 | 10B | 67 BPM | ||
| Tuba Concerto: I. Allegro moderato | Øystein Baadsvik, Singapore Symphony Orchestra, Anne Manson | F Major | 1 | 7B | 117 BPM | ||
| Valse de Concert Nr. 1 in D Major, Op. 47: Allegro | Alexander Glazunov, Beethoven Orchester Bonn, Stefan Blunier | G Minor | 2 | 6A | 174 BPM | ||
| Pletnev: 14 Mémoires musicales: Romance | Mikhail Pletnev, Rachmaninoff International Orchestra | B Minor | 1 | 10A | 138 BPM | ||
| Elgar: 3 Characteristic Pieces, Op. 10: No. 1, Mazurka | Edward Elgar, Northern Sinfonia Orchestra, Sir Neville Marriner | F Major | 1 | 7B | 83 BPM | ||
| Mozart: Piano Concerto No. 23 in A Major, K. 488: II. Andante, Pt. 2 | Wolfgang Amadeus Mozart, Maria João Pires, Theodor Guschlbauer, Orquestra Gulbenkian | F♯ Minor | 0 | 11A | 84 BPM | ||
| Der Großinquisitor, Op. 21: Teil 2: Moderato. "Bist du es wirklich" | Boris Blacher, Herbert Kegel, Dresdner Philharmonie, Siegmund Nimsgern | E Major | 1 | 12B | 93 BPM | ||
| Lobgesang. Symphony no. 2 op. 52: Allegretto un poco agitato | Felix Mendelssohn, Jan Willem de Vriend, Netherlands Symphony Orchestra | B♭ Major | 1 | 6B | 90 BPM | ||
| Spartacus: Scene of the Gaditanae Maidens | Aram Khachaturian, Wiener Philharmoniker | C Major | 5 | 8B | 74 BPM | ||
| Bassoon Concerto in F Major, WoO 23, S63: II. Romanza. Andantino e cantabile | Johann Nepomuk Hummel, Matthias Rácz, Nordwestdeutsche Philharmonie, Johannes Klumpp | E Minor | 0 | 9A | 77 BPM | ||
| Eine Alpensinfonie, Op. 64, TrV 233: IX. Auf der Alm | Richard Strauss, Berliner Philharmoniker, Seiji Ozawa | E♭ Major | 1 | 5B | 105 BPM | ||
| Der Großinquisitor, Op. 21: Teil 1: "Nach seiner unendlichen Barmherzigkeit" | Boris Blacher, Herbert Kegel, Dresdner Philharmonie, MDR Leipzig Radio Chorus | F Major | 0 | 7B | 114 BPM | ||
| Suite de danzas criollas, Op. 15: I. Adagietto pianissimo | Alberto Ginastera, Simon Cohen, Jerusalem Symphony Orchestra, Gisele Ben-Dor | G Major | 0 | 9B | 144 BPM |