"Dancing Bee" by Jan-Peter Klöpfel, Louis Philippson, MDR Leipzig Radio Symphony Orchestra, Ben Palmer had its release date on September 12, 2025. The duration of This song is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Dancing Bee's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Louis Philippson's "My Way" album is number 10 out of 17. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Dancing Bee is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Dancing Bee by Jan-Peter Klöpfel, Louis Philippson, MDR Leipzig Radio Symphony Orchestra, Ben Palmer to be Moderato (at a moderate speed) because the track has a tempo of 111 BPM, a half-time of 56BPM, and a double-time of 222 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bach Brandenburg Concerto Revisited (After Brandenburg Concerto No.1 in F Major, BWV 1046: I. Allegro) [Arr. for Violin, String Quintet & Piano by Jarkko Riihimäki] | Johann Sebastian Bach, Jarkko Riihimäki, Eldbjørg Hemsing, Norwegian String Quintet, Tim Allhoff | F Major | 3 | 7B | 81 BPM | ||
| Metamorphosis | Eunike Tanzil, Sophie Kauer, Deutsches Symphonie-Orchester Berlin, Anna Handler | B Minor | 2 | 10A | 85 BPM | ||
| As It Was (Piano Version) | Harry Edward Styles, Thomas Edward Percy Hull, Tyler Sam Johnson, Louis Philippson | A Major | 3 | 11B | 139 BPM | ||
| La Cinquième Saison, Op. 15: I. Le Secret des feuilles: L'arbre aux légendes 2 | Corentin Apparailly, Julien Martineau, Orchestre Victor Hugo, Jean-François Verdier | C Major | 0 | 8B | 64 BPM | ||
| Autumn Song | Sven Helbig, Fauré Quartett, MDR Leipzig Radio Symphony Orchestra, Kristjan Järvi | A Major | 0 | 11B | 138 BPM | ||
| Adagio pour quatuor d'orchestre | Guillaume Lekeu, Amsterdam Sinfonietta, Candida Thompson | A♭ Major | 0 | 4B | 75 BPM | ||
| Slavonic Dances, Series I, B. 83: No. 6 in D Major, Sousedská. Allegretto scherzando | Antonín Dvořák, Czech Philharmonic, Sir Simon Rattle | A♭ Major | 0 | 4B | 133 BPM | ||
| Violin Concerto No. 2, Op. 87 "Karantina günlerinde bahar sabahları": II. Dance. Fast Jazz Swing | Fazıl Say, Friedemann Eichhorn, Konzerthausorchester Berlin, Christoph Eschenbach | B Minor | 3 | 10A | 99 BPM | ||
| Piano Sonata No. 3 in B Minor, Op. 58: II. Scherzo. Molto vivace | Frédéric Chopin, Benjamin Grosvenor | B Major | 2 | 1B | 122 BPM | ||
| Fandango: II. Plegaria (Chaconne) | Arturo Márquez, Los Angeles Philharmonic, Gustavo Dudamel, Anne Akiko Meyers | C Minor | 3 | 5A | 80 BPM | ||
| Herz und Mund und Tat und Leben Variation (After Herz und Mund und Tat und Leben, BWV 147: VI. Wohl mir, daß ich Jesum habe) [Arr. for Violin, String Quintet & Piano by Jan-Peter Klöpfel] | Johann Sebastian Bach, Jan-Peter Klöpfel, Eldbjørg Hemsing, Norwegian String Quintet, Tim Allhoff | C Major | 0 | 8B | 64 BPM | ||
| Le Grand Cahier: IV. Nos Etudes | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov | D Minor | 1 | 7A | 97 BPM | ||
| Aurora Reverb | Astrid Voix | D Major | 6 | 10B | 98 BPM | ||
| Für Elise Extended Variation (After Beethoven's Bagatelle No. 25 in A Minor, WoO 59) | Louis Philippson, Ludwig van Beethoven | A Minor | 2 | 8A | 68 BPM | ||
| Stentato Curioso | Giovanni Allevi | F Major | 5 | 7B | 67 BPM | ||
| Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: IX. Das Diner | Richard Strauss, Jeffrey Tate, English Chamber Orchestra, Clifford Benson | C Major | 0 | 8B | 64 BPM | ||
| Schwanenlied, Op. 1, No. 1 (Arr. for Violin and String Ensemble by Ellie Consta) | Fanny Mendelssohn, Esther Abrami, Her Ensemble | D Major | 2 | 10B | 110 BPM | ||
| 12 Etudes in the Minor Keys, Op. 39: XII. Le Festin d'Ésope | Charles-Valentin Alkan, Tiffany Poon | C Major | 1 | 8B | 133 BPM | ||
| Mahler Adagietto Variation (From Symphony No. 5 in C-Sharp Minor, Arr. for Violin and Piano by Jan-Peter Klöpfel) | Gustav Mahler, Gabriele Bagnati, Esther Abrami | F Major | 2 | 7B | 82 BPM | ||
| Beethoven Virus (After Piano Sonata No. 8, Op. 13: III. Rondo. Allegro) [Arr. for Piano & Orchestra by Louis Philippson] | Louis Philippson, Ludwig van Beethoven, MDR Leipzig Radio Symphony Orchestra, Ben Palmer | G Minor | 3 | 6A | 79 BPM | ||
| Le carnaval des animaux, R. 125: XIII. Le cygne (Arr. Godowsky for Cello & Piano) | Camille Saint-Saëns, Mats Lidström, Leif Kaner-Lidström | F♯ Major | 1 | 2B | 83 BPM | ||
| Peer Gynt Suite No. 1, Op. 46 (Version for Piano 4 Hands): III. Anitra's Dance | Edvard Grieg, Lucas Jussen, Arthur Jussen | A Minor | 0 | 8A | 104 BPM | ||
| Lezioni all’università | Paolo Buonvino | C Major | 0 | 8B | 64 BPM | ||
| Tchaikovsky Piano Concerto No. 1 Variation (After Piano Concerto No. 1, Op. 23, Arr. for Piano by Jan-Peter Klöpfel) | Louis Philippson | D♭ Major | 2 | 3B | 83 BPM | ||
| Nezuko Theme (From "Demon Slayer") | 椎名豪, 梶浦 由記, Louis Philippson | E♭ Major | 0 | 5B | 70 BPM |