Fred Eaglesmith's ' "Bell" was released on its scheduled release date, October 6, 1997. The duration of This song is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Bell's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Fred Eaglesmith's "Lipstick, Lies And Gasoline" album is number 4 out of 13. Based on our statistics, Bell's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Bell by Fred Eaglesmith to be Allegro (fast, quick, and bright) because the track has a tempo of 137 BPM, a half-time of 68BPM, and a double-time of 274 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nobody Gives a Damn About Songs Anymore | John Moreland | E♭ Major | 6 | 5B | 114 BPM | ||
| Rice Birds | Adam Carroll | D♭ Major | 2 | 3B | 147 BPM | ||
| Boy From Oklahoma | Willis Alan Ramsey | D Major | 3 | 10B | 128 BPM | ||
| True Blue | Pat Reedy | D Major | 8 | 10B | 162 BPM | ||
| Wrong Way to Run | Willy Tea Taylor | A♭ Major | 3 | 4B | 114 BPM | ||
| What It Takes | Fred Eaglesmith | D Major | 2 | 10B | 180 BPM | ||
| Rough Edges | Fred Eaglesmith | A♭ Major | 2 | 4B | 147 BPM | ||
| Rabbit | Ray Wylie Hubbard | A♭ Major | 6 | 4B | 94 BPM | ||
| The Great Joe Bob (a Regional Tragedy) | Terry Allen | C Major | 5 | 8B | 145 BPM | ||
| The Dogs | Justin Wells | B♭ Major | 8 | 6B | 147 BPM | ||
| Dallas After Midnight | Ray Wylie Hubbard | D Major | 3 | 10B | 124 BPM | ||
| Fell Off the Wagon | Joseph Huber | D Major | 7 | 10B | 90 BPM | ||
| A Pretty Good Guy | Chris Knight | G Major | 5 | 9B | 137 BPM | ||
| Milly's Café | Fred Eaglesmith | E Major | 4 | 12B | 130 BPM | ||
| Wanna Do Something | Jeremy Pinnell | A Major | 7 | 11B | 116 BPM | ||
| Righteous Ways | Scott H. Biram | C Major | 2 | 8B | 101 BPM | ||
| Short Haired Woman Blues | Dave Rawlings Machine | E♭ Major | 3 | 5B | 113 BPM | ||
| Ghosts | John R. Miller | G Major | 7 | 9B | 187 BPM | ||
| Dwight Yoakam | Sarah Shook & the Disarmers | G Major | 7 | 9B | 144 BPM | ||
| Cheap Wine | Charlie Parr | B♭ Major | 2 | 6B | 113 BPM | ||
| Elvis Blues (Owed to Chickenbutt) | Roger Alan Wade | A Major | 3 | 11B | 90 BPM | ||
| Hard On You | Daniel Romano | F Major | 5 | 7B | 118 BPM | ||
| Move On | Chris Knight | C Major | 2 | 8B | 144 BPM | ||
| Diminished Things | Joseph Huber | E Major | 3 | 12B | 113 BPM | ||
| Long Drives and Lonesome Mornings | Pat Reedy | D Major | 8 | 10B | 150 BPM |