"Escape from Venice" by John Williams had its release date on May 23, 1989. With this song being around four minutes long, at 4:22, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in John Williams's "Indiana Jones and the Last Crusade (Original Motion Picture Soundtrack)" album is number 5 out of 19. On top of that, United States appears to be the country where this track was created. In terms of popularity, Escape from Venice is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Escape from Venice by John Williams to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Stranger | Bear McCreary | C Major | 1 | 8B | 150 BPM | ||
| Hit It | Lorne Balfe | A Major | 1 | 11B | 112 BPM | ||
| Boo Is A Cube | Randy Newman | G Major | 1 | 9B | 110 BPM | ||
| A Ghost in the Machine | Lorne Balfe | C Major | 7 | 8B | 123 BPM | ||
| Operation Chariot | Christopher Lennertz | F♯ Major | 3 | 2B | 75 BPM | ||
| Stairs and Rooftops | Lorne Balfe | D♭ Major | 6 | 3B | 155 BPM | ||
| Long Live Sacred Germany | John Ottman | A Minor | 0 | 8A | 171 BPM | ||
| The Ministry of Magic | Nicholas Hooper | A♭ Major | 0 | 4B | 85 BPM | ||
| Skull And Crossbones | Klaus Badelt | D Minor | 6 | 7A | 140 BPM | ||
| The Carriage Of The Spirits - 2004 Remaster | Ennio Morricone | G Minor | 2 | 6A | 70 BPM | ||
| Star Trek - The Motion Picture: Main Title | Jerry Goldsmith, Boston Pops Orchestra, John Williams | C Major | 3 | 8B | 131 BPM | ||
| Landing of the French | Marc Streitenfeld | A Minor | 5 | 8A | 185 BPM | ||
| Tornado Warning | Harald Kloser | D♭ Major | 1 | 3B | 139 BPM | ||
| Moonlight Serenade | Klaus Badelt | A Minor | 3 | 8A | 131 BPM | ||
| Blood Ritual | Klaus Badelt | D Major | 4 | 10B | 181 BPM | ||
| Finale - Dragonheart/Soundtrack Version | Randy Edelman | C Major | 2 | 8B | 64 BPM | ||
| The Orient Express | Patrick Doyle | A♭ Major | 4 | 4B | 82 BPM | ||
| Independence Day Resurgence Finale | Thomas Wander, Harald Kloser | B♭ Major | 2 | 6B | 83 BPM | ||
| In Your Honor | Håkan Glänte | E Minor | 1 | 9A | 79 BPM | ||
| Godfrey | Marc Streitenfeld | F♯ Minor | 2 | 11A | 157 BPM | ||
| Flik Leaves - Score | Randy Newman | G Major | 1 | 9B | 108 BPM | ||
| Those Who Prove Worthy | Henry Jackman | G Major | 5 | 9B | 150 BPM | ||
| Prologue to Indiana Jones and the Dial of Destiny | John Williams | B♭ Major | 1 | 6B | 106 BPM | ||
| Alarm! | John Williams | D♭ Major | 3 | 3B | 147 BPM | ||
| Pledge | Elliot Leung, Long Yu, Shanghai Symphony Orchestra | D Minor | 3 | 7A | 115 BPM |