"Symphony No. 44 in E Minor, Hob. I:44, "Trauersinfonie" (Mourning): II. Menuet and trio" by Joseph Haydn, Capella Istropolitana, Barry Wordsworth had its release date on March 15, 1990. This song is about six minutes long, preciously at 6:23, making this song fairly long compared to other songs. The track order of this song in Joseph Haydn, Capella Istropolitana, Barry Wordsworth's "Haydn: Symphonies, Vol. 3 (Nos. 44, 88, 104)" album is number 2 out of 12. On top of that, Hong Kong appears to be the country where this track was created. Symphony No. 44 in E Minor, Hob. I:44, "Trauersinfonie" (Mourning): II. Menuet and trio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 44 in E Minor, Hob. I:44, "Trauersinfonie" (Mourning): II. Menuet and trio by Joseph Haydn, Capella Istropolitana, Barry Wordsworth to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Concerto Grosso In F Major, Op. 6, No. 2: III. Grave - Andante Largo | Arcangelo Corelli, Anna Holbling, Daniela Ruso, Ludovit Kanta, Quido Holbling, Capella Istropolitana | F Major | 1 | 7B | 168 BPM | ||
| Symphony in D Major, Op. 3, No. 2: III. Menuetto | Johann Stamitz, New Zealand Chamber Orchestra, Donald Armstrong | D Major | 0 | 10B | 80 BPM | ||
| Die 7 letzten Worte unseres Erlosers am Kreuze (The 7 Last Words), Op. 51, Hob.III:50-56 (version for string quartet): L'Introduzione: Maestoso ed adagio | Joseph Haydn, Kodály Quartet | E Major | 1 | 12B | 131 BPM | ||
| Symphony in A Major, J-C 62: I. Presto | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 137 BPM | ||
| Sinfonia In D Major, Wq. 183/1, H. 663 : II. Largo | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | F Major | 0 | 7B | 133 BPM | ||
| String Quartet No. 63 in B-Flat Major, Op. 76 No. 4, Hob. III:78 "Sunrise": I. Allegro con spirito | Joseph Haydn, Kodály Quartet | B♭ Major | 2 | 6B | 137 BPM | ||
| Symphony in D Major, Op. 18, No. 2: IV. Allegro assai | Muzio Clementi, Chopin Chamber Orchestra, Winston Dan Vogel | E Major | 0 | 12B | 76 BPM | ||
| Sinfonia in A Major: III. Presto assai | Giuseppe Sammartini, Capella Istropolitana, Jaroslav Krcek | D Minor | 1 | 7A | 168 BPM | ||
| Der Fischer und das Milchmädchen: X. Allemande | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | A Major | 1 | 11B | 91 BPM | ||
| Oboe Concerto No. 1 in D Minor: II. Grazioso | Ludwig August Lebrun, Bart Schneemann, Radio Chamber Orchestra, Jan Willem de Vriend | C Major | 0 | 8B | 65 BPM | ||
| Symphony in A Major, Op. 1, No. 3 (Callen 3): I. Allegro | Franz Ignaz Beck, New Zealand Chamber Orchestra, Donald Armstrong | E Major | 2 | 12B | 153 BPM | ||
| Symphony No. 28 in C Major, K. 200: III. Menuetto. Allegretto | Wolfgang Amadeus Mozart, Capella Istropolitana, Barry Wordsworth | D Major | 2 | 10B | 130 BPM | ||
| Symphony No. 3 in F Major, Op. 90: II. Andante | Johannes Brahms, Berliner Philharmoniker, Claudio Abbado | C Major | 0 | 8B | 82 BPM | ||
| Handel / Arr. Mackerras & Rothwell: Oboe Concerto No. 2a in B-Flat Major, HWV 301: III. Siciliano | George Frideric Handel, Evelyn Rothwell, Valda Aveling, Hallé, Sir John Barbirolli | B♭ Major | 2 | 6B | 83 BPM | ||
| Septet in E-Flat Major, Op. 20: III. Tempo di menuetto | Ludwig van Beethoven, József Balogh, Jozsef Vajda, Jeno Kevehazi, Ildiko Hegyi, Gyözö Máthé, Péter Szabó, Istvan Toth | E♭ Major | 1 | 5B | 120 BPM | ||
| Concerto for 2 Oboes in F Major, Op. 9, No. 3: I. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | F Major | 3 | 7B | 104 BPM | ||
| Symphony in C Major, W. I/6: I. Allegro di molto | Johann Christoph Friedrich Bach, Leipziger Kammerorchester, Morten Schuldt-Jensen | C Major | 1 | 8B | 75 BPM | ||
| Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | F Major | 1 | 7B | 71 BPM | ||
| Orfeo ed Euridice: Act II, Scene 2, Ballo. Andante | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester | F Major | 0 | 7B | 118 BPM | ||
| Concerto For 4 Violins In B Minor, Op. 3, No. 10, RV 580 : II. Largo - Larghetto | Antonio Vivaldi, Capella Istropolitana | D Minor | 3 | 7A | 126 BPM | ||
| Symphony in G Minor, Op. 6, No. 6, W. C12: III. Allegro molto | Johann Christian Bach, Concerto Köln | F♯ Minor | 2 | 11A | 96 BPM | ||
| Symphony, " Surprise " , No. 94 in G-Major, Hob.I:94: II. Andante | Slovak Philharmonic, Alfred Scholz | C Major | 0 | 8B | 126 BPM | ||
| String Quartet No. 1 in D Minor: I. Allegro | Juan Crisóstomo Arriaga, Cuarteto Casals | D Major | 0 | 10B | 121 BPM | ||
| String Quintet in G Major, Op. 77: III. Poco andante | Antonín Dvořák, Berlin Philharmonic String Quintet | G Major | 1 | 9B | 135 BPM | ||
| Concerto Pour Alto Et Orchestre En Ré Majeur : I Allegro (Cadence : Franz Beyer) | Gérard Caussé, Solistes de Montpellier-Moscou | A Major | 1 | 11B | 126 BPM |