Thomas Rhett's ' "Almost" was released on its scheduled release date, May 31, 2019. The duration of This song is about 3 minutes long, at 3:11. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 16 out of 16 in Center Point Road by Thomas Rhett. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Almost is currently average in popularity. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Almost by Thomas Rhett is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kiss You in the Morning | Michael Ray | B Major | 9 | 1B | 152 BPM | ||
| Unforgettable | Thomas Rhett | G Major | 8 | 9B | 130 BPM | ||
| Almost Maybes | Jordan Davis | B Major | 9 | 1B | 180 BPM | ||
| Details | Billy Currington | F Major | 7 | 7B | 140 BPM | ||
| Put A Label On It | Ryan Follese | C Major | 7 | 8B | 146 BPM | ||
| ABBY | Travis Denning | E♭ Major | 8 | 5B | 160 BPM | ||
| Reason Why | Matt Stell | G Minor | 8 | 6A | 78 BPM | ||
| My Miracle | Brad Paisley | E Major | 7 | 12B | 140 BPM | ||
| How Does It Sound | Dylan Schneider | G Major | 8 | 9B | 82 BPM | ||
| Lonely If You Are | Chase Rice | G Major | 7 | 9B | 85 BPM | ||
| Talking to a Girl | William Michael Morgan | B♭ Major | 6 | 6B | 144 BPM | ||
| Make You Miss Me | Sam Hunt | G Major | 5 | 9B | 146 BPM | ||
| Two Black X's | Dylan Schneider | D♭ Major | 7 | 3B | 91 BPM | ||
| Feels Like a Party | LOCASH | A Major | 8 | 11B | 100 BPM | ||
| Prayed For You | Matt Stell | A Major | 7 | 11B | 140 BPM | ||
| Going 'Round | Jordan Davis | B Minor | 9 | 10A | 180 BPM | ||
| Back In The Game | Chad Brownlee | B Major | 9 | 1B | 117 BPM | ||
| Yeah | Joe Nichols | B Major | 8 | 1B | 166 BPM | ||
| Wonder Woman | Waterloo Revival | B Major | 7 | 1B | 104 BPM | ||
| Last Shot | Kip Moore | E Major | 9 | 12B | 148 BPM | ||
| It All Started With a Beer | Frankie Ballard | D Major | 6 | 10B | 74 BPM | ||
| Born to Love You | LANCO | G Major | 9 | 9B | 125 BPM | ||
| I'm Gonna Miss You | Michael Ray | A♭ Major | 8 | 4B | 172 BPM | ||
| Lay Here With Me | Maddie & Tae, Dierks Bentley | G Major | 4 | 9B | 127 BPM | ||
| Trying On Rings | Maddie & Tae | G Major | 6 | 9B | 91 BPM |