Thompson's 'Approached' had a release date set for September 12, 2022. With This song being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 2 out of 17 in Cannonball by Thompson. Going off of the ISRC code of this track, we detected that the origin of this track is from United Arab Emirates. In terms of popularity, Approached is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Approached by Thompson is Moderato (at a moderate speed), since this song has a tempo of 112 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dust | Lucinda Williams | C Major | 5 | 8B | 85 BPM | ||
| Tomorrow's Going to Be a Better Day | Billy Bragg | D♭ Minor | 2 | 12A | 85 BPM | ||
| Birmingham Sunday | Rhiannon Giddens | G Major | 2 | 9B | 122 BPM | ||
| Oyster and Pearl | Amy Ray, Phil Cook, Brad Cook, Justin Vernon | G Major | 3 | 9B | 74 BPM | ||
| Katie's Blues | Clay Parker and Jodi James | D Major | 2 | 10B | 138 BPM | ||
| Highway Song | Patty Griffin | B Major | 2 | 1B | 90 BPM | ||
| State Line | The Delines | D♭ Minor | 3 | 12A | 137 BPM | ||
| Estrella Goodbye | Birds of Chicago | C Major | 5 | 8B | 143 BPM | ||
| House of Earth | Lucinda Williams | E Minor | 3 | 9A | 96 BPM | ||
| Ain't Gonna Worry No More | Peter Case | E Major | 4 | 12B | 142 BPM | ||
| Way It Is, Way It Could Be | The Weather Station | F♯ Minor | 3 | 11A | 124 BPM | ||
| Waxwing | Olivia Chaney | B♭ Major | 1 | 6B | 117 BPM | ||
| Seek and Hide (feat. Colin Meloy) | Lucy Wainwright Roche, Colin Meloy | B♭ Major | 6 | 6B | 118 BPM | ||
| It Won't Be Long Now | Linda Thompson | B Major | 3 | 1B | 96 BPM | ||
| Down the Stream | Ian West | E♭ Major | 5 | 5B | 151 BPM | ||
| Waiting for a Train | Billy Bragg, Joe Henry | C Major | 2 | 8B | 87 BPM | ||
| Marks | Tift Merritt | B Major | 5 | 1B | 160 BPM | ||
| I Ain't Leaving | Mary Gauthier | B♭ Major | 4 | 6B | 78 BPM | ||
| Ugly Truth | Lucinda Williams | G Major | 3 | 9B | 115 BPM | ||
| Boat's up the River | Jake Xerxes Fussell | D Major | 3 | 10B | 96 BPM | ||
| Rain | Ingemar Craigie | F Major | 1 | 7B | 151 BPM | ||
| Don't Let It Trouble Your Mind | Rhiannon Giddens | E♭ Major | 7 | 5B | 154 BPM | ||
| Man at the Mill | Jake Xerxes Fussell | D Major | 4 | 10B | 91 BPM | ||
| I Know All About It | Lucinda Williams | E Minor | 3 | 9A | 96 BPM | ||
| Versatile Heart | Linda Thompson | B♭ Major | 4 | 6B | 89 BPM |