"The Great O Antiphons: O Clavis David" by Peter Hallock, St. Mark's Cathedral Choir, The Compline Choir, Dean Suess had its release date on August 1, 2010. The duration of This song is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. The Great O Antiphons: O Clavis David's duration is considered a little bit shorter than the average duration of a typical track. The song is number 15 out of 34 in An Advent Procession based on The Great "O" Antiphons by Dean Suess. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, The Great O Antiphons: O Clavis David's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Great O Antiphons: O Clavis David by Peter Hallock, St. Mark's Cathedral Choir, The Compline Choir, Dean Suess is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Having Beheld a Strange Nativity | Georgy Sviridov, Credo Chamber Choir, Bogdan Plish | G Major | 0 | 9B | 131 BPM | ||
| Carpe Diem | Franco Prinsloo, Vox Chamber Choir | B Major | 1 | 1B | 138 BPM | ||
| What are children to the Lord? | Kim André Arnesen, Thomas Berg-Juul, Haderslev Domkirkes Pigekor, Sønderjyllands Symfoniorkester, Kristin Mulders | A♭ Major | 0 | 4B | 102 BPM | ||
| As Joseph Was a-Walking | Margaret Rizza, Kevin Mayhew Ltd | D Minor | 1 | 7A | 99 BPM | ||
| The Darkness Is No Darkness | Judith Bingham, Hannah Holgersson, Sofia Vokalensemble, Bengt Ollen | F Major | 1 | 7B | 85 BPM | ||
| Bænhús | Sigurður Flosason, Schola Cantorum, Hörður Áskelsson | E Minor | 1 | 9A | 149 BPM | ||
| Gloria: II. Qui Tollis | Peter Hallock, Linda Strandberg, Leigh Falconer, James Holloway, Joseph Adam, Choral Arts Northwest, Richard Sparks | F♯ Minor | 1 | 11A | 93 BPM | ||
| To Thee, Our Champion Leader | The Chamber Choir of St. Tikhon's Monastery, Benedict Sheehan | A Major | 3 | 11B | 81 BPM | ||
| Victoria: Animam Meam Dilectam - 1. Animam Meam Dilectam | The Tallis Scholars, Peter Phillips | F Minor | 1 | 4A | 80 BPM | ||
| Requiem for the Living: V. Lux Aeterna | Providence Singers, Christine Noel, Kilian Mooney | G Major | 1 | 9B | 86 BPM | ||
| Gabriel's message (arr. D. Willcocks) | Sir David Willcocks, Traditional, St. Mark's Cathedral Choir, The Compline Choir, Dean Suess | A Minor | 1 | 8A | 67 BPM | ||
| The Secret of Christ | Richard Shephard, Jason Klein-Mendoza, All Saints' Choir, Craig Phillips | G Major | 1 | 9B | 93 BPM | ||
| Adesto dolori meo | Jacob Clemens non Papa, Musica Sacra | B♭ Major | 1 | 6B | 87 BPM | ||
| O Radiant Dawn | James MacMillan, Choir of Merton College, Oxford, Benjamin Nicholas | C Minor | 2 | 5A | 68 BPM | ||
| Psalm 15 | Peter Hallock, The Compline Choir, Jason A. Anderson | E Minor | 1 | 9A | 122 BPM | ||
| Pieśń o Najświętszej Pannie | Urszula Rogala, Dominikański Ośrodek Liturgiczny, Dorota Dąbrowska | F Major | 2 | 7B | 169 BPM | ||
| Missa Pange Lingua: I. Kyrie | Josquin des Prez, Choir of Clare College, Cambridge, Graham Ross, Caroline Meinhardt, Helena Cooke, Alexander Porteous, Joshua Pacey | C Minor | 1 | 5A | 138 BPM | ||
| Eternal Home | Christopher Enloe, Dan Forrest, Craig Courtney, Beckenhorst Singers | F Major | 0 | 7B | 79 BPM | ||
| Polyeleopsalmi (Kiitäkää Herran nimeä) | P. Ivanov, Tampere Orthodox Choir, Johtajana Risto Matsi | G Major | 0 | 9B | 130 BPM | ||
| Passion Week, Op. 58: II. I See Thy Bridal Chamber | Alexander Gretchaninov, Phoenix Bach Choir, Kansas City Chorale, Charles Bruffy, Caroline Markham, Paul Davidson, Bryan Taylor | A♭ Minor | 1 | 1A | 71 BPM | ||
| To Demeter | The Rosslyn Singers, Mary Oliver | E Major | 2 | 12B | 77 BPM | ||
| Final Preces and Responses | Peter Hallock, The Compline Choir, Jason A. Anderson | C Major | 2 | 8B | 78 BPM | ||
| Veni, Domine | Felix Mendelssohn, Heinrich Schütz Choir and Chorale, Gillian Weir, Sir Roger Norrington | E Major | 0 | 12B | 90 BPM | ||
| Regna terrae | Orazio Benevoli, Le Concert Spirituel, Herve Niquet | C Major | 1 | 8B | 128 BPM | ||
| Ich liege und schlafe | Athesinus Consort Berlin, Klaus-Martin Bresgott | A Major | 0 | 11B | 77 BPM |