Elliot Oakley's ' "Ever After" was released on its scheduled release date, December 5, 2025. The duration of This song is about 3 minutes long, at 3:12. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Because this song is the only song in Ever After and no other songs are present in the album, we classify this track as a single. Based on our statistics, Ever After's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Ever After by Elliot Oakley is Allegro (fast, quick, and bright), since this song has a tempo of 122 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Found You in My Head Tonight | Explode The Tv | A Minor | 8 | 8A | 166 BPM | ||
| The Line | Nick Behnan | C Major | 9 | 8B | 186 BPM | ||
| Saint James | Le Concorde | D Major | 7 | 10B | 127 BPM | ||
| Carry It All | Joshua Hawkes | B♭ Major | 8 | 6B | 82 BPM | ||
| Lightyear | Max Avoidance | E Minor | 6 | 9A | 150 BPM | ||
| I Followed You Because I Was Stupid | Johnny Delaware | C Major | 6 | 8B | 120 BPM | ||
| For All The Souls | Paul Gillion | A♭ Minor | 5 | 1A | 116 BPM | ||
| Tinseltown Again | The Midnight Aisle | A♭ Major | 6 | 4B | 127 BPM | ||
| Morning Light | Frode Møller | F♯ Major | 7 | 2B | 130 BPM | ||
| Wanderlow | Dear Boy | E Major | 8 | 12B | 102 BPM | ||
| Living in a Glasshouse (Radio Mix) | The Big Glasshouse | D♭ Minor | 9 | 12A | 124 BPM | ||
| Nobody Knows | The Sherlocks | C Major | 2 | 8B | 132 BPM | ||
| What Has Been and What Will Be | Tom Leonard | C Major | 9 | 8B | 122 BPM | ||
| Track 8 | Salarymen | A Major | 9 | 11B | 130 BPM | ||
| Don't Wake The Sun | Jets Overhead | D Major | 5 | 10B | 165 BPM | ||
| STARLIGHT | ELDERLY WHITE MAN | A♭ Major | 7 | 4B | 144 BPM | ||
| Echo Chamber | Sirenblue | B♭ Major | 7 | 6B | 160 BPM | ||
| Golden Key | Milltown Brothers | G Major | 6 | 9B | 130 BPM | ||
| Only God Knows | Flagship | G Major | 8 | 9B | 151 BPM | ||
| Baggage to Lose | Early Edison | A♭ Major | 7 | 4B | 144 BPM | ||
| Someone Else's Game | John Denton | A♭ Major | 7 | 4B | 144 BPM | ||
| Bridges | Karl Fredrik | A♭ Major | 8 | 4B | 130 BPM | ||
| Hotel Pool | Roscoe Bay | A♭ Major | 7 | 4B | 144 BPM | ||
| Word Of Warning | The Bracknall | G Major | 7 | 9B | 145 BPM | ||
| Biweekly | Side Hug | G Major | 9 | 9B | 158 BPM |