"Semele, HWV 58 / Act 3: Thus Let My Thanks Be Pay'd" by George Frideric Handel, Kathleen Battle, English Chamber Orchestra, John Nelson had its release date on January 1, 1993. The duration of This song is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Semele, HWV 58 / Act 3: Thus Let My Thanks Be Pay'd's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, English Chamber Orchestra, John Nelson's "Handel: Semele" album is number 15 out of 77. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Semele, HWV 58 / Act 3: Thus Let My Thanks Be Pay'd's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Semele, HWV 58 / Act 3: Thus Let My Thanks Be Pay'd by George Frideric Handel, Kathleen Battle, English Chamber Orchestra, John Nelson to be Allegro (fast, quick, and bright) because the track has a tempo of 127 BPM, a half-time of 64BPM, and a double-time of 254 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tu mancavi a tormentarmi, crudelissima speranza (Arr. L. Stokowski) | Antonio Cesti, Brussels Philharmonic, Richard Egarr | E Major | 1 | 12B | 87 BPM | ||
| Mozart: Divertimento in F Major, K. 138 "Salzburg Symphony No. 3": II. Andante | Wolfgang Amadeus Mozart, Amsterdam Baroque Orchestra, Ton Koopman | B Major | 1 | 1B | 78 BPM | ||
| Oboe Concerto in C Major: II. Allegro (Arr. by Benjamin) | Domenico Cimarosa, Heinz Holliger, Bamberg Symphony, Peter Maag | C Major | 2 | 8B | 114 BPM | ||
| Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM | ||
| Cello Concerto No. 6 in D Major, G. 479: II. Adagio | Luigi Boccherini, Steven Isserlis, Orchestra of the Age of Enlightenment | A Major | 0 | 11B | 71 BPM | ||
| Water Music: Suite No. 2 in D Major, HWV 349, I. Allegro | George Frideric Handel, Pierre Boulez, New York Philharmonic | D Major | 2 | 10B | 95 BPM | ||
| Purcell: Trumpet Sonata in D Major, Z. 850: II. Adagio | Henry Purcell, John Eliot Gardiner, English Baroque Soloists | D♭ Minor | 0 | 12A | 103 BPM | ||
| Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | F Major | 1 | 7B | 71 BPM | ||
| Shostakovich / Arr. Atovmyan: Suite from the Gadfly, Op. 97a: VIII. Romance | Dmitri Shostakovich, Tasmin Little, Piers Lane | C Major | 1 | 8B | 175 BPM | ||
| Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
| Recorder Concerto in C Major, TWV 51:C1: IV. Tempo di Minuet | Georg Philipp Telemann, Dan Laurin, Arte dei Suonatori | B Major | 2 | 1B | 141 BPM | ||
| Tafelmusik - Banquet Music In 3 Parts / Production 1 - 3. Concert In A Major, TWV 53:A2: 2. Allegro | Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel | A♭ Major | 2 | 4B | 126 BPM | ||
| Symphony No. 5 in D Major, Op. 2, "St. Cecilia's Day Ode": III. Tempo di Minuetto | William Boyce, Aradia Ensemble, Kevin Mallon | E Major | 2 | 12B | 153 BPM | ||
| Oboe Concerto in D Minor, S. Z799: III. Presto | Alessandro Marcello, Marcel Ponseele, Il Gardellino | D♭ Minor | 3 | 12A | 70 BPM | ||
| Te Deum Motet à deux choeurs | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | B Major | 3 | 1B | 147 BPM | ||
| Ode for St. Cecilia's Day, HWV 76: Air: Orpheus could lead the savage race | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
| Concerto For Oboe In D Minor - Presto | Tafelmusik Baroque Orchestra | D♭ Minor | 3 | 12A | 104 BPM | ||
| Salve Regina in C minor (1736): 1. Salve Regina | Giovanni Battista Pergolesi, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | E Minor | 1 | 9A | 99 BPM | ||
| Bach, JS: Concerto for 4 Pianos in A Minor, BWV 1065: III. Allegro | Johann Sebastian Bach, David Fray, Orchestre National Du Capitole De Toulouse | A Minor | 3 | 8A | 123 BPM | ||
| Kol Nidrei, Op. 47 | Max Bruch, Jan Vogler, Helmut Branny | D Major | 1 | 10B | 136 BPM | ||
| Symphony for Flute, Oboe, Horn and Strings in D Major: III. Presto | Domenico Cimarosa, Chopin Chamber Orchestra, Winston Dan Vogel | E♭ Major | 1 | 5B | 116 BPM | ||
| Keyboard Concerto in F Major, Hob. XVIII:3: II. Largo cantabile | Joseph Haydn, Sebastian Knauer, Kolner Kammerorchester, Helmut Müller-Brühl | F♯ Minor | 3 | 11A | 178 BPM | ||
| Symphony in E minor, H.I No. 44 -"Mourning": 3. Adagio | Joseph Haydn, English Chamber Orchestra, Daniel Barenboim | D Major | 3 | 10B | 105 BPM | ||
| II. Adagio cantabile from Piano Sonata No. 8 in C minor, Op. 13 "Pathetique" - Instrumental | Ludwig van Beethoven, Murray Perahia | A♭ Major | 0 | 4B | 62 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | C Minor | 0 | 5A | 80 BPM |