On March 15, 1995, the song "Arrival" was released by Chris Many, Geoff Levin. The duration of This song is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Arrival's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "Strings And Rhythm". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. Based on our statistics, Arrival's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Arrival by Chris Many, Geoff Levin having a BPM of 142 with a half-time of 71 BPM and a double-time of 284 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 1/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Borsalino: la réussite - 1970 | Claude Bolling | C Major | 7 | 8B | 110 BPM | ||
| Dinner Table Bet | Joy Ngiaw | E Minor | 3 | 9A | 174 BPM | ||
| Building The Horse | The Shaun The Sheep Band | E Major | 2 | 12B | 102 BPM | ||
| Dying Kind | Classical Rhythmic Resonance | A Minor | 3 | 8A | 101 BPM | ||
| A View to a Kill | VSOP - Vienna Symphonic Orchestra Project | A♭ Major | 6 | 4B | 165 BPM | ||
| Once we crafted | TOM AVA | A♭ Major | 2 | 4B | 101 BPM | ||
| New Directions | Chris Many | D Major | 7 | 10B | 192 BPM | ||
| Loud And Proud | Cats Rule the World | F Major | 5 | 7B | 115 BPM | ||
| Rise Up, Comrades | Erich-Weinert-Ensemble | A♭ Major | 2 | 4B | 61 BPM | ||
| Egg Hunt | Tumble Leaf, Lisbeth Scott, Nathan Barr, Hanna Helgegren | G Major | 2 | 9B | 136 BPM | ||
| La brigade se dégonfle - From "Le Gendarme en balade" | Raymond Lefèvre | F Major | 5 | 7B | 108 BPM | ||
| The River Kwai March - From 'The Bridge On the River Kwai' | Keneth J Alford | C Major | 7 | 8B | 107 BPM | ||
| moby | cine chill | E Minor | 7 | 9A | 76 BPM | ||
| Developing Form | Chris Many | B Minor | 7 | 10A | 172 BPM | ||
| La course de chars | Vladimir Cosma, LAM Philharmonic Orchestra | D Major | 2 | 10B | 77 BPM | ||
| Fading Embers | Claw and Order | D Major | 9 | 10B | 128 BPM | ||
| Schorsch, der Unheimliche | Schwarz Rot Atemgold 09 | C Major | 6 | 8B | 83 BPM | ||
| Roll The Credits | Chris Many, Geoff Levin | F Major | 4 | 7B | 85 BPM | ||
| The Battle of Britain Suite: I. Luftwaffe March (Aces High) | Ron Goodwin, Rumon Gamba, BBC Philharmonic Orchestra | B♭ Major | 5 | 6B | 119 BPM | ||
| Journey Through Shadows | Flurin | A Minor | 5 | 8A | 90 BPM | ||
| Clocks | The Mechanical Music Man | G Minor | 4 | 6A | 124 BPM | ||
| Astral Voice | Astrid Voix | D Major | 6 | 10B | 98 BPM | ||
| Up and Down the Hills | The Gunslingers | G Major | 3 | 9B | 140 BPM | ||
| Baton Bunny | Bugs Bunny | F Minor | 4 | 4A | 120 BPM | ||
| Tanz der Masken | Georg Pommer | E♭ Major | 1 | 5B | 113 BPM |