"To Cloister" by John Ottman had its release date on February 26, 2013. With This song being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in John Ottman's "Jack The Giant Slayer (Original Motion Picture Soundtrack)" album is number 3 out of 22. To Cloister is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of To Cloister by John Ottman to be Adagio (slowly with great expression) because the track has a tempo of 69 BPM, a half-time of 34BPM, and a double-time of 138 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Am Iron Man | John Debney | A Major | 5 | 11B | 126 BPM | ||
| One Speed | Graeme Revell | C Minor | 7 | 5A | 100 BPM | ||
| For Those We Never Meet - Bonus Track | Max Aruj, Alfie Godfrey | D Major | 2 | 10B | 115 BPM | ||
| Thor: The Dark World - From "Thor: The Dark World"/Score | Brian Tyler | B♭ Major | 7 | 6B | 68 BPM | ||
| In the Hands of Mortals | John Ottman | E♭ Minor | 1 | 2A | 75 BPM | ||
| A New Day In The Old Town | Chris Tilton | C Minor | 2 | 5A | 160 BPM | ||
| Skyfall | Thomas Newman | B Major | 1 | 1B | 64 BPM | ||
| This Is Where You Leave Me | Max Aruj, Alfie Godfrey | A Minor | 0 | 8A | 139 BPM | ||
| Infinity War | Alan Silvestri | A Minor | 3 | 8A | 86 BPM | ||
| Introducing Flint | Mark Mothersbaugh | E Minor | 2 | 9A | 92 BPM | ||
| Evening the Odds | Nick Arundel | E Minor | 5 | 9A | 102 BPM | ||
| The Creation | Patrick Doyle | E Major | 3 | 12B | 187 BPM | ||
| The Apes Attack | Patrick Doyle | F Major | 6 | 7B | 150 BPM | ||
| Star Trek Generations Overture | Dennis McCarthy | E♭ Major | 2 | 5B | 169 BPM | ||
| Back To The Future - Original Score/End Credits | The Outatime Orchestra | F Major | 2 | 7B | 111 BPM | ||
| Where To? | Mark Mothersbaugh | F Major | 1 | 7B | 95 BPM | ||
| The Untouchables - From "The Untouchables" Soundtrack | Ennio Morricone | C Major | 2 | 8B | 144 BPM | ||
| On the Beach | Die Another Day Soundtrack | E Major | 5 | 12B | 110 BPM | ||
| Looking For Me | Basil Poledouris | F Minor | 3 | 4A | 134 BPM | ||
| The Cloverfield Paradox | Bear McCreary | C Major | 3 | 8B | 133 BPM | ||
| The Center Of The Earth | Andrew Lockington | G Major | 1 | 9B | 80 BPM | ||
| The Planet Krypton | John Williams | G Major | 1 | 9B | 80 BPM | ||
| The Covenant | Jed Kurzel | D♭ Major | 1 | 3B | 121 BPM | ||
| Join Me | John Ottman, Jeffrey Schindler, American Federation of Musicians | B♭ Major | 1 | 6B | 72 BPM | ||
| I Am Batman | Benjamin Wallfisch | C Minor | 6 | 5A | 102 BPM |