- BPM
- 117
- Key
- C Major
- Camelot
- 8B
Jenkins, John: Prelude, Almain and Corant, for Lyra Viol by John Jenkins, Fretwork Song Details
John Jenkins, Fretwork's ' "Jenkins, John: Prelude, Almain and Corant, for Lyra Viol" was released on its scheduled release date, September 15, 2008. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 113 in English Music For Viols by Fretwork. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Jenkins, John: Prelude, Almain and Corant, for Lyra Viol is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
BPM and Tempo
The tempo marking of Jenkins, John: Prelude, Almain and Corant, for Lyra Viol by John Jenkins, Fretwork is Moderato (at a moderate speed), since this song has a tempo of 117 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
Music Key
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 5%
- Loudness
- -25.063 dB
- Acousticness
- 98%
- Danceability
- 34%
- Energy
- 4%
- Instrumentalness
- 79%
- Liveness
- 10%
- Loudness
- 58%
- Speechiness
- 5%
- Valence
- 43%
Recommendations
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|---|---|---|---|---|---|---|---|
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 | Mystery Sonata No. 7 "The Scourging at the Pillar": I. Allamanda | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen-Pilch, Battalia | B Major | 0 | 1B | 97 BPM | |
 | Ground | John Eccles, Brandon J. Acker, Douglas Balliett | F♯ Minor | 0 | 11A | 80 BPM | |
 | Canzoni da suonare, Op. 17: No. 18, La Cavagliera | Tarquinio Merula, InAlto, Lambert Colson | F♯ Major | 1 | 2B | 54 BPM | |
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 | Sonata Per Viola da Gamba No. 3 in G Major: I. Andante | Dolci Accenti, Daniele Cernuto, Calogero Sportato, Lorenzo Feder, Mauro Zavagno | D♭ Minor | 1 | 12A | 111 BPM | |
 | Sonata (Adagio) | Nicola Matteis, Gli Incogniti, Amandine Beyer | B Major | 1 | 1B | 53 BPM | |
 | Requeim in C Minor, ZWV. 48 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Monika Frimmer, Peter de Groot, Ian Honeyman, Peter Kooij, Paul Dombrecht | B Minor | 2 | 10A | 81 BPM | |
 | Suite in G Minor: I. Allemande | Monsieur de Sainte-Colombe, François Joubert-Caillet, L'Achéron | E♭ Minor | 1 | 2A | 114 BPM | |
 | Messa a 5 Concertata: IX. Domine Deus, Rex coelestis | Giovanni Paolo Colonna, Chœur De Chambre De Namur, Cappella Mediterranea, Leonardo García-Alarcón, Elizaveta Sveshnikova, Mariana Flores, Paul-Antoine Bénos-Djian | E♭ Minor | 1 | 2A | 60 BPM | |
 | Fantasy III | John Jenkins, The Spirit of Gambo, Freek Borstlap | A Major | 1 | 11B | 129 BPM | |
 | Fantasia-Suite in A Minor, VdGS group IV, No. 1: I. Fantasia | John Jenkins, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | |
 | Byrd: Miserere a 4 | William Byrd, Fretwork | B♭ Major | 0 | 6B | 90 BPM | |
 | Canzona ottava a basso solo "detta l’ambitiosa" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | G Minor | 2 | 6A | 127 BPM | |
 | Divisions on a Ground in A | John Jenkins, The Spirit of Gambo | E♭ Minor | 1 | 2A | 97 BPM | |
 | Lute Sonata No. 11 in D Minor: V. Sarabande | Silvius Leopold Weiss, Robert Barto | D♭ Minor | 0 | 12A | 120 BPM | |
 | La Novellina | Gioseffo Guami, Liuwe Tamminga, Maria Christina Cleary, Claudia Pasetto, Leonardo Bortolotto, Alberto Rasi, Bruce Dickey | F♯ Major | 2 | 2B | 74 BPM | |
 | Viola da gamba Sonata in E Minor, A2:7: I. Siciliano | Carl Friedrich Abel, Paolo Pandolfo, Amelie Chemin, Andrea Buccarella | F♯ Major | 0 | 2B | 95 BPM | |
 | Correnta quarta | Carlo Farina, Musica Antiqua, Christian Mendoze | G Minor | 1 | 6A | 74 BPM | |
 | Violin Sonata No. 6 in C Minor, C. 143: V. Adagio - Allegro - Adagio | Heinrich Ignaz Franz von Biber, Rachel Podger, Brecon Baroque | A♭ Major | 1 | 4B | 78 BPM | |
 | Lachrimæ Veræ | John Dowland, Les Voix Humaines, Nigel North | G Minor | 1 | 6A | 90 BPM | |
 | Concert royaux, Quatrième concert in E Minor: V. Sarabande. Très tendrement | François Couperin, Lucie Horsch, Tom Foster | E Major | 0 | 12B | 89 BPM | |
 | Concerto grosso No. 2 in G Major: I. Largo (After D. Scarlatti) | Charles Avison, Avison Ensemble, Pavlo Beznosiuk | F♯ Major | 1 | 2B | 87 BPM | |
 | Leclair: Scylla et Glaucus, Op. 11, Prologue: Air gracieux | Jean-Marie Leclair, John Eliot Gardiner, English Baroque Soloists | A♭ Minor | 0 | 1A | 68 BPM | |
 | Madrigals Libro, No.6: Moro, Lasso, Al Mio Duolo | Carlo Gesualdo, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM |
- ISRC
- GBAYC9500794
- Label
- L-M Records/RCA Records