Apurva Krishna's ' "28. सफेद चादर में लिपटी महिला की कहानी" was released on its scheduled release date, July 8, 2025. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 100 in the song's album "Real Horror Story". In this album, this song's track order is #28. Furthermore, we believe that the track originated from India. The popularity of 28. सफेद चादर में लिपटी महिला की कहानी is currently not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With 28. सफेद चादर में लिपटी महिला की कहानी by Apurva Krishna having a BPM of 170 with a half-time of 85 BPM and a double-time of 340 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ghar Hi Mathura Kashi | Satyendra Pathak | F Minor | 7 | 4A | 146 BPM | ||
| Om Shram Shreem Shraum Sah Chandramasay Namah | Jeet Ojha | F Major | 2 | 7B | 65 BPM | ||
| Chapter 28.2 - Bylo nás pět | Karel Poláček | D♭ Major | 2 | 3B | 125 BPM | ||
| Radha Naam Kirtan, Pt. 8 | Shri Hit Premanand Govind Sharan Ji Maharaj | F♯ Minor | 10 | 11A | 110 BPM | ||
| Selected Poetry, Pt. 2 | Ahmed Faraz | A Major | 5 | 11B | 112 BPM | ||
| Durant Dev (Vedic Switchwords for Wish Fulfillment) | Jeet Ojha | A♭ Major | 1 | 4B | 83 BPM | ||
| ASHTAVINAYAK HE SUKH DAYAK | Anup Jalota | G Major | 8 | 9B | 192 BPM | ||
| Shyam Mane Chakar Rakho Ji | Sur Shyam Gaushala Rajendra Das ji Maharaj | B♭ Major | 3 | 6B | 124 BPM | ||
| सदा सर्वदा योग तूझा घडावा | Marathi Bhakti Geet | B♭ Major | 3 | 6B | 78 BPM | ||
| Best Hindi Poetry Khuda Kya Hai | Kumar Rishi | A♭ Minor | 2 | 1A | 103 BPM | ||
| Bandhoi Oh Aaji | Zubeen Garg | A♭ Major | 6 | 4B | 128 BPM | ||
| Datta Mala Mantra | Kamal Dixit, Everybody Productions, Pramod Singh | D Major | 5 | 10B | 96 BPM | ||
| Sadhak Ki Sabse Badi Siddhi | Shri Hit Premanand Govind Sharan Ji Maharaj | E Minor | 4 | 9A | 113 BPM | ||
| อาทิตตปริยายสูตร | Ocean Media | D Major | 2 | 10B | 105 BPM | ||
| Atma Ka Aahar | Kumar Vishwas | E♭ Major | 8 | 5B | 88 BPM | ||
| Vishnujana Swami & Srila Prabhupada | Srila Prabhupada | A♭ Major | 7 | 4B | 116 BPM | ||
| Ghana Din So Liyo | Prahlad Singh Tipaniya, Devnarayan Saroliya, Ajay Tipaniya | F♯ Major | 6 | 2B | 138 BPM | ||
| Krishna Bhajan 2 - Mashup | Dhruv Sharma, Swarna Shri | A Major | 8 | 11B | 174 BPM | ||
| Mai Mero Shyam Lagyo Sang Dole | Indresh Upadhyay | A Major | 3 | 11B | 76 BPM | ||
| Prem Mudita Mana Se | Ramakrishna Math, Monks of the Ramakrishna Order | A♭ Major | 5 | 4B | 100 BPM | ||
| Raat Bhar Sard Hava Chalti Rahi | Gulzar | B♭ Major | 4 | 6B | 91 BPM | ||
| Asunla | Shegepiano | E Minor | 0 | 9A | 193 BPM | ||
| Maa Kamakhya Devi Mantra | Rasraj Ji Maharaj | E Major | 4 | 12B | 116 BPM | ||
| Bholenath Ko Dhanywad Kyu Karna Chahiye | Pandit Pradeep Ji Mishra | B♭ Major | 4 | 6B | 114 BPM | ||
| Jaya Jaya Janani Jaya Sri Saradamoni | Ramakrishna Math, Swami Narendrananda | B♭ Minor | 5 | 3A | 135 BPM |